Sometimes German, sometimes English. • The title of this blog used to change from time to time. • Interested in me reviewing your music? Please read this! • I'm also a writer for VeilOfSound.com. • Please like and follow Audiovisual Ohlsen Overkill on Facebook!

2025-12-23

MUSIC 2025 : TOP 25 live shows


There's never enough live music, and there never will be. But that being said I'm really happy with the amount of great shows I got to experience this year.

Of course there are still nights I regret having missed, like the not so well attended, but appearantly extra long and amazing club show of Arthur Brown in Hamburg or all the tours which just didn't came close enough to Northern Germany at all.

On the other hand some artists that had made the ranking in the past sadly couldn't meet my expectations, like Kamasi Washington or even Cynic.

Other shows many fans would probably expect in a list like this, were great, but just didn't make it up in the top, like Blood Incantation, Igorrr, Wormrot, Tangerine Dream, Lucifer, Macabre, Kanaan & ÆvestadenChat Pile, Wyatt E.Ni, Wooden Elephant performing Björk and many more.
Thisquietarmy x Otay:onii even actually were club show number twelve for a brief moment, but then I decided to make it only a TOP 11 list in favour of having a longer TOP 14 of festival shows. And right there I admittedly downgraded Michael Gira, because I didn't want to reward his bully behaviour towards Kristof Hahn at their Roadburn show, even thought it undoubtly was contributing to the special intensity of that performance...

You see: Ranking is harte Maloche. So after litres of sweat and blood here's the result:


TOP 11 CLUB/SOLO SHOWS 2025:



  1. This came as a surprise.  I had seen the Industrial metal legends in Wacken - where they had also been just one night before this show - a couple of times, lastly nine years ago, and I knew their performance would be great.
    But just what a fucking blast it would be to witness Al Jourgensen and co. celebrating classic after classic plus even songs from the Synth Pop debut "With Sympathy" in the more intimate club setting - no, I can't say I was fully prepared for that. I already knew right then and there that Ministry were playing my favorite show of the year - and as you can see my opinion hasn't changed.

  2. THE KILIMANJARO DARKJAZZ ENSEMBLE / THE MOUNT FUJI DOOMJAZZ CORPORATION - Lido, Berlin

    The members of the Dutch Doomjazz group with the two aliases obviouly didn't know how much their return after twelve years of hiatus meant to some  fans, who travelled to Berlin from as far as the other side of the globe. And it was heartwarming to see them enjoy the well-deserved waves of applause after a double-show of amazing Slow Motion Jazz / Ambient / Doom / Dub / Post Rock / Folk / Contemporary Classical beauty.

  3. SUNN O))) - Uebel & Gefährlich, Hamburg

    Six Ampeg amps, twelve Model T's, a wall of speakers and two guitars. Enough to physically destroy me to a degree not even previous Sunn O))) or Swans shows had been capable of. My head and hearing needed days to recover.
    Yet still the Drone Metal masters delivered a musically remarkably rich and transcendently meditative experience, which made me float from the birth of the universe to the core of  Earth and back.

  4. NEPTUNIAN MAXIMALISM "La Sacre Du Soleil Invaincu" - MS Stubnitz, Hamburg

    It was the already the second time I attended a full performance of Neptunian Maximalism's Blackened Drone Doom Raga monolith "La Sacre Du Soleil Invaincu". And with an interpretation emphasizing the Black Metal elements and an unbelievably mighty and pristine sound, which allowed you to dive into every single sonic detail, the show on Hamburg's finest ship was even more perfect than their 2024 Roaddburn Festival performance.

  5. CLIPPING. - Hafenklang, Hamburg

    For some reason Hamburg's Hafenklang venue has established itself as Clipping.'s home away from home outside of America. So once again the Experimental Hip Hop trio (plus premium stage guest Counterfeit Madison) burned the place down to the ground with a sudatory electrifying performance. 

  6. DOOL - Logo, Hamburg

    Whenever I see Dool live, the Dutch Dark Rock quintet will safely end up in these lists later; I guess that's an established natural law by now. Their last show in Hamburg hadn't been that long ago and this was  already the third time I saw them with a relatively similar setlist in support of "The Shape of Fluidity". So this should get at least a little bit boring, right? No, not at all! One of the best live bands around for ten years now!

  7. SEVEN IMPALE - Logo, Hamburg

    A dream come true! I've been wishing to see the Norwegian Prog/Jazz Metal Fusion sextet Seven Impale for ten years and even lost all hope during their seven years long hiatus. And now they finally played a mini tour of only two shows in Germany. And even though the Logo wasn't exactly sold out, this night was everything I wanted it to be. Fantastic!

  8. TEMPLE FANG - MarX, Hamburg

    Benefitting from the fact that the Dutch are Roadburn regulars I had already enjoyed six shows of the fantastic Psychedelic Prog Rockers Temple Fang before. This time however was extra special - not only because of the strength of the "Lifted From the Wind" material, but because it finally was a headlining show without the time restraints of a festival. That meant almost two hours of epic Rock'n'Roll bliss.

  9. KOENJI HYAKKEI - MS Stubnitz, Hamburg

    At least in my mind my mouth is still permanently wide open in amazed disbelieve since I witnessed Japanese Zeuhl  masters Koenji Hyakkei. No matter if you take the escalating Free Jazz drumming, the insanely fast and complicated vocal/saxophone unisono runs or outbreaks of metallic heaviness - very few performances this years came even remotely close to the joy of playing, the breathtaking virtuosity and the utter musical madness of these Magma worshippers.

  10. MONO - Knust, Hamburg

    After decades of chair glue for their guitar players Mono are now standing on stage! Well, except for the drummer of course. Apart from that change the Japanese Instrumental Post Rock quartet still presented itself as a class of its own. Between heavenly elation and earthshaking force the sonic and emotional dynamics unleashed by their live performances are an experience I cannot imagine ever growing tired of or not being deeply touched by.

  11. HEDVIG MOLLESTAD TRIO - Hafenklang, Hamburg

    Here come the Norwegian ladies in glitter dresses and their less fashion-conscious drummer! They brought a marathon Jazz Rock Metal Fusion show, which included the whole "Bees In The Bonnet" album and ended with the band leader lying on the ground amidst the crowd - before leaving with Led Zeppelin's "Rock'n'Roll" as the ultimate statement what the band is all about. After two amazing Roadburn shows this night confirmed that when the Hedvig Mollestad Trio comes to town, fullest dedication, blown minds and a shitload of fun are guaranteed.








TOP 14 FESTIVAL SHOWS 2025:



  1. In all its abstract nonconformist weirdness and pummeling heaviness Sumac's "The Healer" still is one of my favorite albums of 2024. And boy, did the full live performance of this Avantgarde Metal coloss live up to it! Right then and there I already felt that it had to be my unrivaled favorite performance of the festival. Present day me doesn't object.

  2. AUTOPSY - Stonehenge Festival, Steenwijk

    Strictly speaking the gory Death Metal legends' setlist was way too similar to their last oldschool-heavy Stonehenge appearance. Yet fuck it, because even with this sole critique it still was fucking Autopsy, man! And there's just noone like them. Bloody banger!

  3. ANGLES "The Death Of Kalypso" - Roadburn Festival, Tilburg

    The Paradox stage was as crammed as the rest of the room, when the octet Angles performed "The Death of Kalypso", their amazing self-proclaimed Jazz Opera in five acts. They alternated between different varieties of Vocal Jazz, minimalism, Classical interludes, Free Jazz freak-outs, Shirley Bassey grandeur and all kinds of displays of virtuosity earning spontanous scene applause. A truly special show.

  4. OTAY:ONII "True Faith Ain't Blind" - Roadburn Festival, Tilburg

    Few artists are as exceptionally expressive and mesmerizing as singer Lane Shi Otay:onii. The Roadburn team knows that too and invited her for a triennium residence, which means she plays special shows in three consecutive years. The first of those saw her only with a grand piano, playing last year's album "True Faith Ain't Blind". A profoundly touching performance to make Diamanda Galas proud!

  5. ZOMBIE ZOMBIE - Roadburn Festival, Tilburg

    Trippy trippy funky funky cosmic cosmic Kraut Kraut Disco Disco party party! Seeing the French two drummers plus electronics and saxophone trio Zombie Zombie was one of those Roadburn decisions I'm still giving myself pats on the back for.

  6. WITCH CLUB SATAN - Roadburn Festival, Tilburg

    Extremely raw Black Metal and myrkurish atmospheric breaks. Theatrical antics and honest rage. Impressive crochet work and spooky nudity. Technical issues leading to a moment, which made this show of the Norwegian feminist trio Witch Club Satan even more special.
    Finally a huge splash of blood spat right onto my face. That certainly was a memorable way to start into Saturday. I was there for it.

  7. DISHARMONIC ORCHESTRA - Stonehenge Festival, Steenwijk

    This year's Stonehenge Festival offered various moments of Death Metal nostalgia with bands I hadn't seen live for up to over three decades. The most anticipated and most rewarding of those shows was performed by the still to this day unique Avantgarde Death trio Disharmonic Orchestra from Austria. If only this could have been a bit longer...

  8. MESSA "The Spin" - Roadburn Festival, Tilburg

    Ouch, my heart is bursting! Why is Messa's mix of Doom, Hard Rock, Prog, Folk, Post Punk, Extreme Metal etc. so damn wonderful? Playing their recent album "The Spin" could only be a win. Guitar and muted trumpet duelling in the Jazz lounge during "The Dress" was one of the most memorable live moments of the year. 

  9. INSECT ARK - Roadburn Festival, Tilburg

    Dana Schechter sings now. and appearantly it was exactly what the beauriful Drone Doom of her former solo project / then duo / now live trio Insect Ark needed. This was a show where performance, sound, atmosphere and personality came together under the perfect constellation of stars. You could feel it.

  10. GREEN MILK FROM THE PLANET ORANGE - Esbjerg Fuzztival

    Esbjerg Fuzztival in Denmark had a strong line-up with several electrifying shows only just missing a spot on this list. And even though the Japanese trio was sitting down most of the time, the sheer unhinged madness of their melange of Kraut, Punk, Avantgarde, Prog, emotional intensity and Psych'n'Roll made Green Milk From The Planet Orange the winner.

  11. EX-EASTER ISLAND HEAD - Roadburn Festival, Tilburg

    Atmospheric, Ambient, droning, minimalist, electronic, percussive, maximalist, post-rocking, abstract, trippy, jazzy, funny, funky, danceable... It would probably be harder to find anything the show of Ex-Easter Island was not than all the variety it had to offer. Performed on an incredibly experimental multi-instrumental set-up this quartet's show was unlike any other thing I've ever seen. 

  12. MOEWN - Pink Tank Open Air, Osterrönfeld

    In the grand scheme of things Moewn are just a short-lived and disbanded, relatively obscure German instrumental Post Rock band with a discography of two and a half (since one was a split release) good albums. But that's just what's on paper, because what a heavenly escapist treat was it to witness their one-off reunion show in celebration of the tenth anniversary of their debut!

  13. MISHA PANFILOV SEPTET - Überjazz Festival, Kampnagel, Hamburg

    The prolific Estnian Misha Panfilow came with electric and lap steel guitar and a whole Septet of musicians including a brass section of saxophones and flute to celeberate a relaxing, humorous and hypnotic performance of Spiritual Psychedelic Jazz mixed with Library Music and traces of Kraut Rock. This wasn't even the conceptually or musically most exciting act at Überjazz Festival, but the vibe, man! The vibe was just so... *chefskiss*

  14. SANCTUARIUM - Morbid Catacombs Fest, Neue Zukunft, Berlin

    There are few things in Metal greater than when a Death Metal show widely opens the gates to a foul netherworld and the poisonous mist from that abyssal dimension really creeps into every cell of your being. At Morbid Catacombs Fest the rotten Doom Death of the Spaniards Sanctuarium unlocked this immersive, wonderfully abhorrent sick atmosphere and no shower has been able to clean all of the putrescine stench off me since.










2025-12-22

Veil of Stuff feat. ANNA VON HAUSSWOLFF, ELECTRIC LITANY, FLESIA and VEILBURNER


Yay! It didn't take me as long as last time to accumulate four reviews on Veil of Sound, so here's my final roundup up of my latest four "external" reviews this year - where available of course alongside pictures of the albums' physical copies:







ANNA VON HAUSSWOLFF - Iconoclasts
(CD) (2025)
[MY REVIEW ON VEIL OF SOUND.COM ]

This VoS review for sure is a long-ass read. Deservingly so, because as expected the new double album of Anna von Hausswolff, the first one with vocals - and a lot of those! - since "Dead Magic" from 2018 is just an overwhelmingly grandiose larger than life experience.

Including the introduction of saxophone and clarinet as a new central element of her sound beside mighty church organs, Rock music instrumentation and Electronic Ambient sounds, Anna opens the box widely, releasing a confidently powerful and heartstrings-pulling masterpiece of monumental artistic proportions. From Alternative Contemporary Gothic, Chamber Pop, Drone and Jazz to Prog Rock Anna pulls from an endless  array of influences to form a work beyond comprehension.

And as if her own magical presence wasn't enough, "Iconoclasts" also includes duets not only with her sister Maria von Hausswolff, but also with Dark Alternative Americana star Ethel Cain and the man, the legend Iggy Pop.

You actually only needed half of this release with fantastic songs like "Facing Atlas", "Iconoclast", "Stardust" or "Struggle With The Beast" to justify buying this album, but from the shorter instrumentals with interlude nature over the Pop format ballads to the towering epics, every single one of the twelve tracks delivers the right - often abundant - amount, and the right kind of emotional enormity and phenomenal songwriting to add to a whole that feels even bigger than the sum of its already giant parts.

I guess at this point it wouldn't be a spoiler to tell you where you can expect "Iconoclasts" to land in my album of the year ranking, right?

The only thing which is almost repellingly unworthy is the CD release of the album. And I'm neither talking about the cover artwork nor the fact that it's just the simplest of digipaks. I could have been prepared for that, since for example the presentation of "The Miraculous" was the same.

No, what actually offends me is the four-page lyric booklet, which not only misses a jacket in the digipak, where you can put it, but seemingly just copies the layout of the vinyl version in an ant-sized scale. And since I just finally got my first pair of reading glasses I can safely confirm that even with aid (respectively a normal eyesight) the lyrics are still very hard to decipher - which is still much better than the credits, which are so small that you could almost suspect you're agreeing to a scam robbing you of your life savings by buying this album. Yeah, nonsense like this annoys me.








FLESIA - Achterbahnekstase
[MY REVIEW ON VEIL OF SOUND.COM ]

With the rather Punk or Grindcore aesthetics of its cover artwork and consisting of three longtracks which, despite the raw production, sound way too huge to even make you entertain the idea that the instrumental part of this music could actually only have been recorded with bass and drums, Flesia's "Rollercoaster Ecstasy" certainly offers a refreshingly rebellious undergound perspective on Black Metal. And when the trio steps on the break for some minimalist Doom or Post Metal, it makes this whole frantic banger even better. Wild shit!








ELECTRIC LITANY - Desires
[MY REVIEW ON VEIL OF SOUND.COM ]

Electric Litany are a Greek Synth Pop quartet based in London. On "Desires" they perfectly balance synthetic cold and electric warmth, minimalist keyboard arrangements and escapist Shoegaze influences. With a falsetto voice between Sigur Rós and Empire Of The Sun floating above a diverse landscape of both very catchy and surprisingly experimental songs this album feels like a yearning dream, in which you're slightly out of phase with the world, see all its beauty with heightened intensity, but can't quiet reach out to touch it. Achingly wonderful!








VEILBURNER - Longing for Triumph, Reeking of Tragedy (CD) (2025)
[MY REVIEW ON VEIL OF SOUND.COM ]

And here's the actual first test object (before trying the impossible "Iconoclasts" booklet) for my aforementioned new reading glasses. With a metallic reflection effect, a partly very small font size and some challenging background colour choices, this digipak actually was an ideal item for that job. And apart from being readable the layout and of course the cover artwork of Veilburner's "Longing For Triumph, Reeking Of Tragedy" are actually really cool, too.

Musically this album offers exciting Dissonant Blackened Death Metal with great riffs and leads, some banging Thrash Metal influences and a unique, completely deranged vocal performance. Sick sick sick and great!







2025-12-21

PHOTOGRAPHY 2024 / 2025 : harinezumi


It's almost Christmas and I haven't even started end of the year season? Well at least I'm not omitting half of it like last year! I had been so busy wrapping up my music favorites of 2024 (and was so behind in editing scnned pictures) that I didn't even do any photography post dedicated to that year. Consequently I'm covering two years this time!

(And I'll possibly drag the music posts all the way through January if necessary. Don't stress!)

Let's begin with the Digital Harinezumi 2.0! This "digital antique" Japanese toy camera is a very regular guest on this blog, because I'm shooting almost all of my live music pictures with it. This post however is for the photos I took before and after shows, while traveling or at home on rural morning walks. It's an at least chronological but otherwise pretty random selection, made in Northern Germany, Berlin, the Netherlands, England and Denmark: