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Posts mit dem Label Cynic werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Cynic werden angezeigt. Alle Posts anzeigen

2025-08-25

Digital Delights feat. CYNIC, EXDIRECTORY, FRENDZ, GÛLDUR, LAIBACH and mʊdʌki


Ok, it's time for one of those collective write-ups again! Let's take a look at what has accumulated in the last weeks and months in the way of previously unreviewed small digital purchases and promos of 2025 releases:





GÛLDUR - Between the Moons, the Dead Rivers (2025)

We're easing ourselves into this slowly and steadily with an hour-long Ambient soundtrack for exploring mystical forgotten landscapes and ancient ruins. A lot of this mostly synth-based is beautiful, yet with a touch of eery dark suspension. And since there's not only a certain depressive bleakness in the song titles at play, as well as the Black Metal aesthetics of the artwork, yet the music has that certain nerdy, sometimes almost a bit cheesy tabletop role-playing game vibe and intentionally unpolished production, we don't ever call this Ambient, not even Dark Ambient, but Dungeon Synth!

Breaking this rule thrice is severly punished by either being whipped by a demon, being burned to a crisp by a dragon or being tickled by a horde of goblins! But no worries, despite its misty nocturnal qualities one witching hour of Gûldur's sonic pagan fantasy should be enough to heal you from any mental and bodily wounds those penalizations could cause. 






LAIBACH (feat. BIJELO DUGME) - Die Kanone (2025)

Let's move from one hour of music to just three minutes:

Laibach have released a stomping short single celebrating both the fiftieth birthday of the famous Jugoslavian Folk Rock band Bijelo Dugme with a old school germanized cover version featuring the original artist - and somehow also the recent shift of German industry from cars to weapons, which has always been a good sign, right? (Please visualize this as the famous Anakin & Padme meme!).

The primitive sexual innuendo of lyrics like "I 'll buy a cannon / Someday, sometime / And then I'll be yours / Someday, sometime" is far from subtle, especially when delivered with such a pompous militaristic swing, which makes "Die Kanone" feel like a musical callback to "National Reservation" from Laibach's 1994 classic "NATO".

This song comes in stark contrast to the recent orchestral album "Alamut", which highlights a very different aspect of the Slovenian group's spectrum. Not top material for Laibach's eternal hall of fame, yet still a well executed, silly - yet somehow under the surface actually more serious than you want it to be - catchy little kitschy bombastic ditty.





CYNIC - Earth Is My Witness (2025)

Cynic's latest single actually is an old one, featuring both late band members Sean Malone and Sean Reinert. The very proggy "Earth Is My Witness" had been the bonus track on a special edition of the 2014 album "Kindly Bent To Free Us", which had just been too overpriced for me at the time. But now that this song has finally been released on its own, I gladly take it.

Of course the song could have easily fit on the regular album, but somehow the band had decided that it didn't fit with the overall flow of the album. I don't know... it may bear a little more resemblance to the Spiritual Prog Metal songwriting during the "Traced In Air" phase, but it absolutely wouldn't have bothered me on the album. No question, I'm happy it's finally out there as an official release.





FRENDZ - The Strain (2025)

The Canadian duo frenDZ' debut mini album "The Strain" is one of those releases which makes you think you have figured it all out after a couple of minutes - an Electronic instrumental depiction of a simple little dystopian Sci-Fi story - only to throw you the first curveball with a detour into contemporary Jazz including a smooth trumpet performance.

And as soon as the second track "Tricillium" starts with piano, even more brass and an inkling of Dub, yet then develops into a not quite synthwavy, but still very 80's soundtrack vibe, only to conclude in "Dark Side Of The Moon" Rock atmosphere, you know that anything could happen here. And it does!

Weirder, glitchier, more experimental Electronics, funky guitar licks, Berlin school Ambient mixed with Doom in the style of Pinkish Black, mr. bungleish upbeat Jazz Bass freak-outs, wild jumps from genre to genre all around. This highly entertaining half hour could hardly fly by faster. What a wild ride! There are even some arrangements which sound like Voivod, yet with a non-Metal instrumentation.

The latter should actually be the least surprising part of all, since one half of this project is none other than Voivod bassist Rocky Laroche, whose brilliant performance is mostly very different to what he usually does in the band, yet also impressively solidifies why he's the perfect match over there as well.

I don't know if it's the lack of a physical release, but this amazing side quest should attract way more attention than it's doing so far!





EXDIRECTORY - Vitamine (2025)

A much more 70's-heavy breakfast of Stoner, Prog and Psychedelic Rock is brought to us by the Cologne quintet Exdirectory. With unstoppable grooves, swirling organ (later also smooth electric piano) and space-battling guitars this band doesn't waste much time to jump into full wild action. Given the sheer amount of perfectly executed gradual playful shifts and sudden twists and turns in a relatively short time, it's actually quite remarkable that the whole three-track EP is taken from a completely improvised live session.

Even if you like your Psych to evolve at a more steady pace over longer distances the well-attuned chemistry of these guys is just undeniable. "Vitamine" definitely recommends Exdirectory as a band to look out for live. 





mʊdʌki - The Labyrinth (2025)

Last but not least let's go oomph!oomph!oomph! with some very Experimental dystopian Electronic sounds from Belarussian producer (living in Czechoslovakia) Polina Khatsenka aka mʊdʌki!

This stuff definitely isn't the easiest material to listen to from this bunch, and over sixty minutes of these often very angular loops over stomping, yet not always reliable beats can either be either too damn demanding if you're not in the mood for a sonic post-apocalypse - or an in all its discomfort still hypnotic revelation. Weird and uneasy, but also undoubtly atmospheric. I cannot claim it doesn't intrigue me.

Shout-out to Stoned To Death, who are always very generous with free surprise promos, as I got the download for this - and a couple of older releases by Jah Cuzzi, Jan Tomáš and Klamm & Pelikán with my latest order of cassettes from the label! 






2025-03-15

RIVERS OF NIHIL, CYNIC, BEYOND CREATION und DAATH live im Headcrash, Hamburg (13. März 2025)


Beginn (nicht Einlass!) um Viertel vor Sieben, in der Woche - das war schon eine stramme - und fürs Umfeld der Reeperbahn typische) Ansage im Gruenspan. Doch dann wurde das Konzert mit vier Bands nicht nur ins HeadCRASH verlegt, sondern auch noch weiter auf 18:10 Uhr vorgezogen. Aaargh!

Für viele Auswärtige sicherlich gar nicht nicht machbar, für mich reichte es nach Feierabend immerhin noch für einen kleinen Rossmann-Einkauf, das Schreiben einer wichtigen Mail und ein vorgezogenes Abendessen, ehe ich mich nach Hamburg aufmachte und mit komfortablem Zeitpolster am Ort des Geschehens eintraf.

So zumindest ein der Theorie. Ein vierzig Minuten stehlender Unfallstau auf der A23 hat mich dann doch in die ungewohnte Lage gebracht, in einen bereits prall gefüllten Club einzutreten, während die erste Band schon spielte... 






DAATH

Zum Glück war es aber nur das erste Viertel welches ich von den Death Metallern aus Georgia verpasste. Und entgegen der von den Im-Gang-Stehenbleibern erzeugten Illusion war es direkt vor der Bühne um diese Zeit tatsächlich noch gar nicht so furchtbar eng. Amtliche Alte Schule mit Blast-Attacken, melodischen und progressiven Elementen traf auf slammende Moderne. Kein Sound für den ich mir auf Konserve beide Beine ausreißen würde, aber live ein ordentliche, tadellos vor den Latz geklatschte Einstimmung auf den Rest des Abends.








BEYOND CREATION

Da ich mich null vorbereitet hatte, war ich schon überrascht, wie deutlich der Cynic-Einfluss bei den Kanadiern Beyond Creation war. Doch auch neben all den von Paul Masdival und natürlich Deaths Chuck Schuldiner inspirierten Leadgitarren und dem deutlich an Sean Malone angelehnten blubbernden Jazz-Fusion-Bass hatte der stilistisch offene Progressive Death Metal mit reichlich zusätzlichen Gitarrensaiten so einiges an eigener Identität zu bieten. Ganz klar: Mit ihren das Gleichgewicht zwischen Brutalität und überschäumender Kreativität perfekt balancierenden Songs hat das Quartett mich ohne Wimperzucken als Fan gewonnen.








CYNIC

Die Prog Metal-Legende Cynic musste natürlich gar nichts mehr tun um mich anzufixen, selbst wenn sie heute weitgehend unfokussiert, ähm, ich meinte ohne Songs des Jahrhundertalbums "Focus" antraten. Nur das Instrumental "Textures" gab es hiervon diesmal zu hören - kein Wunder, hatte das Album doch gerade erst vor einem Jahr im Mittelpunkt einer Tour gestanden, die auch im hamburger Logo zu Gast gewesen ist.
Während das neueste Album "Ascension Codes" mit zwei Stücken gewürdigt wurde, war überraschenderweise gar nichts von "Kindly Bent To Free Us" zu hören, so dass es vor allem Klassiker von "Traced In Air" waren, die das natürlich zu kurze Set prägten.

Gegen die vom Publikum frenetisch abgefeierte Reinert/Malone-Tributshow vom Vorjahr anzustinken, war eine Hürde, für die es sicherlich einer Headlinerposition und eines würdigeren Sounds bedarft hätte, als der intime Club heute anbieten konnte. Klar, Cynic sind Cynic sind Cynic und es ist immer noch fantastisch zu sehen, wie sehr die einst als Außenseiter gestartete Gruppe nun von der Metalszene umarmt wird und mit von ihnen inspirierten Künstlern zusammen auftritt. Doch unter diesen Umständen gab es hier ehrlich gesagt nur eine sehr gute, aber noch nicht atemberaubende Show zu sehen. Vielleicht war das Auslassen von "Veil of Maya" oder "How Could I" auch einfach ein Schritt zu mutig.








RIVERS OF NIHIL

Mit fettem Doublebass-Drumkit und Posingpodesten an der vorderen Bühnenkante machten Rivers of Nihil optisch sofort deutlich, dass sie den logischen - für vier Bands immer noch erstaunlich frühen - Abschluss des Abends bildeten. Allerdings traten die Death-mit-Extrawurst-Metaller mit einem großen Handicap an, und damit meine ich nicht, dass mich persönlich das nach "Where Owls Know My Name" erschienene Material irgendwie nicht mehr so sehr abgeholt hat.

Nein, leider hatte ihr Frontmann komplett seine Stimme verloren, so dass bis auf die gelegentlichen cleanen Harmonien vom Gitarristen und Drummer alle Stücke instrumental vorgetragen werden mussten. Das überzeugende Gimmick, dass ab und zu ein Saxophonist zum schmachtenden Veredeln der Stücke auf die Bühne kommt, wurde dadurch natürlich noch mehr zum Highlight.

Es ist der Band natürlich hoch anzurechnen, unter diesen Umständen überhaupt aufzutreten. Doch so großartig, interessant (was war denn hier mit all den megakreativen Killer-Bassisten los?) und fett (was für eine Schlagzeugwalze!) die Amis auch ohne Growls klingen, so sehr war das offensichtliche Fehlen nach zwei Dritteln der Show dann doch ermüdend. Als Superfan bin ich natürlich befangen, aber die ideale Lösung wäre meiner Meinung nach ein etwas gekürztes Set zugunsten von Cynic davor gewesen.

Trotzdem wär's natürlich schön Rivers Of Nihil eines Tages noch einmal in kompletter Sollstärke zu erleben! 







2024-12-06

MUSIC 2024: TOP 24 live shows


Yay, impossible decision season has begun again!

Halvcirkel, Darsombra, Blues Pills, Clipping., Arthur Brown, Yīn Yīn, Myrkur, Messa, Spidergawd, Fange, Asphyx, Body Void, even Triptykon... I could go on and on and on with names of artists whose shows would be absolutely worthy best of the year material, but somehow still didn't make it into this selection of my favorite 12 club/solo shows + 12 festival shows of 2024.

The state of the world may suck, but except for a disappointing open air experience with King Gizzard and The Lizard Wizard and missing several shows (P/O Massacre, Otay:onii, Bees Made Honey In The Vein Tree, Lili Refrain...) due to clashes with other tours, at least in regards of live music there has been little to complain about this year.

So here - cast in stone for all eternity (or at least as long as this servive isn't bought and spoiled by a certain kind of billionaire) - is for you my annual live music ranking:


TOP 12 CLUB/SOLO SHOWS 2024:



  1. I know, I know, somehow the Slovenians always seem to end up here. And always with a different kind of performance. It's not an automatic given though. Laibach's celebration of their most popular album in Copenhagen was great, but would have "only" made it to the third or fourth place on this list on its own.
    A couple of months later however their powerful display of Industrial Retrogarde mastery completely blew me away without any circumstances diminishing the experience. Perfection.



  2. What a tribute to Sean Reinert and Sean Malone! Cynic performed their legendary "Focus" album in full. And if you know only the smallest thing about how much this unmatched timeless masterpiece means to me, it should come as zero surprise to find this show so high up here, even though the sound could have been better. But with amazing musicanship, stellar songs and a packed room like here a show will of course survive that. The great Prog Death / Sci-Fi Thrash tour package with Obscura and Cryptosis was the icing on the cake.



  3. For a time they had been so formative for my musical taste, yet somehow I not only stopped following their discography, but also waited decades to finally see the German Experimental / Industrial icons live.
    The presence of Blixa Bargeld, his sonorous chanson voice, dental drill screams and humour, the incredible instrumentation and great songs, mostly from the most recent albums... Dang, am I happy that I could finally strike Einstürzende Neubauten from my bucket list!



  4. I love shows on the MS Stubnitz, I love the Canadian Noise Rock Droners Big|Brave. And when those two come together and give their best, what else can be the result than complete bliss?
    This might have been the best sounding Big|Brave show I've seen so far - and that means a lot, considering that includes several Roadburn performances.
    Ultimately I can only repeat what I asked myself before, bathing inside this sea of deep frequency: Is this how a baby blue whale feels inside the womb?



  5. An event intrinsically too large for me, with too much drama and bullshit inside the pit and the hyped support Jinjer being a rather sobering disappointmenting. Well, that last part had already been counterbalanced by a killer show from Death Metal titans Obituary, when the headliners hit the stage.
    Sepultura on their farewell tour - even with a young last minute drummer and me not being too familiar with most material past "Chaos A.D." - were an unpolished force going out with a spectacular bang!



  6. A mystical musical theater with drummers, dancers, shamans. A fantasy melange of Northern and Eastern European, Tuvan and Mongolian, New Zealandian and probably even Klingon traditions. A show you could disrespectfully call Wagner for mediaval market fans and LARP players. In truth however Heilung's show was a perfectly crafted, overwhelming  transcendent experience. Absolutely breathtaking!
    And seeing Zeal & Ardor as a support act was a more than welcome bonus.



  7. No doubt, 2024 was a Chelsea Wolfe year. With a strong focus on material from her new album "She Reaches Out To She Reaches Out To She" her long-awaited return to Europe became a stunning glimpse of Contemporary Goth heaven.
    And as if witnessing the court of the dark queen alone wouldn't have been enough, finally seeing the Icelandic trio Kælan Mikla as her support act was a great addition to this already magical night.



  8. Sometimes you had to ask yourself how only three people could unleash such an overwhelming inferno of Heavy Psych, fuzzy Doom and Post Metal. Or if it was just the ridiculous overkill of epileptic lights and videos.
    But then the answer was right there: This is Slift. And this French trio simply is a space force like no other right now.



  9. Even though the English Grindcore titans delivered a ferocious killer performance easily worthy of being listed here on its own, this has to be the show where I also include both support bands in the heading. Because with fellow Grinders Wormrot and Sludge devestators Primitive Man it was the perfect package deal, which made this insanely brutal night extra memorable. And the wild audience responce made sure my body remembered it for a while as well. Madness!



  10. Spoiler: Dool are one of two band you'll find in both this and the festival shows list below. Sorry, but I just couldn't resist! The feverish live performances of the Dutch Dark Rock group have been one of the most magnetic experiences on any stage for years and with almost the whole new album in the setlist this intimate club show was no exception. In hindsight I only should have stepped back into the third or fourth row to here significantly more of Raven van Dorst's fantastic vocals. 



  11. Happy Birthday to me! Normally I actually don't celebrate, but this year I did it in style by treating myself to an outstanding show of Korean Jazz vocalist Youn Sun Nah, accompanied by the also very unconventional piano player Bojan Z.. And while the singer's studio albums may have become a little too Pop and tame for my taste, this evening of her interpreting Nina Simone, Björk, Jefferson Airplane, Tom Waits and many more absolutely deserved the flush of standing ovations it got. 



  12. From a birth-day show to one in my birth-place in the northernmost North of Germany! It had been five long years since I had last seen Johanna Sadonis and her hard rocking merry band of Black Sabbath and Heart worshippers live - and it seemed unfathomable how I could have let it come to that. Their mission is not to reinvent the wheel, but when it comes to writing great straight Rock'n'Roll riffs and songs and performing them with a singer in the driver's seat, who just keeps getting better and better - you can hardly surpass Lucifer.





TOP 12 FESTIVAL SHOWS 2024:



  1. "What a super heavy wall of fuzztastic riffs, Psych lead guitars and tasty analogue synth and organ sounds! Full Earth turned the concept of Rock music into an elemental force, an earthquake and storm, shaking, levelling, pulling apart and flooding the room and everyone who was in it."
    That's what I said in my festival report. Or in other words: The extended version of Kanaan delivered what their debut album "Cloud Sculptors" had promised. And it was glorious!



  2. The Belgian collective entered the stage with fewer members than the previous time I had seen them. No second drummer and saxophone, which translated to less Tribal and Spiritual Jazz elements. Instead Neptunian Maximalism brought more Drone, Doom and Black Metal in an immersive larger than life ritual of primal sound, which made me completely loose my grasp on the flow of time.



  3. The return of Rebecca Vernon (SubRosa), performing one of my favorite albums of 2023 was a show I knew I could under no circumstances cut short, since missing the incredibly epic finale "The Truth" would have haunted me for the rest of my days. Lead by the singer (also on keys and guitar) and violinist Andrea Morgan The Keening's whole show was beautiful Gothic/Doom/Folk bliss.  



  4. They didn't have any bad intentions! Hedvig, Ellen and Ivar were just playing in a packed Jazz club - but as soon as the Norwegian trio started the roof caught fire and kept burning on for over seventy minutes. HMT definitely is the correct unit of measurement when it comes to determining the addictiveness of Heavy Prog / Jazz Rock. This Paradox show was an absolute blast!



  5. Ok, since Big|Brave already have a high position in my club show ranking, I could have easily saved this (or the other) spot for another artist, right? They even played the same show consisting of "A Chaos Of Flowers" songs, didn't they? Yes. Yes. But come on, the Drone was just so transcendent and blissful! There's no way around it, this band deserves the double honour. 



  6. Yeah, see Big|Brave! Same same. Dool just always deliver. The festival appearance was shorter than the club show later in the year, but both had similar as well as distinct qualities. With a strong focus on "The Shape Of Fluidity" the Dutch group once again proved to be an excellent reason to visit the prehistoric Balve Cave.



  7. Yin and Yang. Two days, two shows, two parts of an incredible whole. First the fearlessly drawn-out Tangerine Dream-inspired Ambient experience, then the murderous Progressive Death Metal inferno, which made the crowd go completely mental. No doubt, even before the release of "Absolute Elsewhere" Blood Incantation proved that they are a league and cosmos of their own.
     


  8. I don't think anyone was really prepared for how intensly her show would hit them right into the feels. Australian Experimental Noise artist Uboa performed in the middle of the audience, an intimate Electronic set of calming Ambient with an eery undercurrent, which directly corresponded with the physical and mental exhaustion of the crowd, so close to the end of four festival days. The air of the room was thickened with palpable pure emotion. No other show this year even remotely felt like this.



  9. Irish Folk is not a genre I'd normally ever expect ending up in this list. But Lankum's take is of course very special. Their profound, earnest approach, their vocal pitch perfection, mesmerizing instrumentation and haunting Drone made this 013 Main Stage show one the highlights of Roadburn 2024.



  10. Desperate, mourning, scornful and annihilating. Dymna Lotva singer Nokt Aeon lived through it all as a bleeding saintess of peace amongst a raging Post Black Metal storm. The exile Belarusian band  impressively delivered what one of the finest albums of 2023 had promised.



  11. Hey! Finally a chance to see them outside of the Netherlands! Temple Fang, who have released multiple live albums, yet only one studio EP so far are without a doubt a band made for the stage.
    The mastery of their timeless Psychedelic Prog/Blues/Heavy Rock epics will always take you beyond the stars. Hamburg, which they graced exclusively with brand-new material, witnessed no exception from that rule.



  12. Cirith Ungol's abbreviation CU stands for CULT.  Them headlining the ten year anniversary party of the German Deaf Forever print magazine on their farewell tour was my last chance to finally see the influential Heavy / Doom / even Proto-Death Metal legends in the flesh. The band around eccentric shrill singer Tim Baker played a frenetically celebrated show which fired classic after classic and also allowed post reunion material to shine.

    The king is dead, long live the King of the Dead!




favorite MUSIC 2024 - all my lists:

TOP 4 non-album releases   |   TOP 24 live shows