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Posts mit dem Label Dope Purple werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Dope Purple werden angezeigt. Alle Posts anzeigen

2025-08-16

WV Sorcery with DOPE PURPLE, KAWAGUCHI MASAMI / MIKE VEST / DAVE SNEDDON and SENYAWA


Is it time to praise one of my favorite underground labels (and one of only two with their own section in my record collection) again?

Duh, It's always time for that!




SENYAWA - Membaladakan Keselamatan (Ballads for the Survivors) (Rainforest Ether vinyl LP) (2021/2025)

2021, the same year in which the Javanese Experimental Folk/Drone duo released their masterpiece "Alkisah" (still one of my very favorite albums of that year), also saw a seemingly smaller work from Senyawa. Only released digitally "Membaladakan Keselamatan (Ballads for the Survivors)" featured unplugged live session versions, showcasing that even performed on acoustic guitar instead of Wukir Suryadi's usual self-built electric noise devices their songs are just incredibly strong.
In this context Rully Shabara probably only shines even more as one of the most unique, versatile, expressing, just outstanding vocalists imaginable.

Now WV Sorcerer Productions has finally not only made this gem available in a physical format, but also added four previously unreleased tracks. So now we get a total of sixteen amazing tracks presented with all the love you'd expect from the label with great atmospheric photographs, OBI strip, a lyrics sheet and - if you're lucky enough to get one - in a beautiful blue-greenish vinyl colour.

No, this work really doesn't miss anything. Perfectly wholesome magic from another world.
    






KAWAGUCHI MASAMI / MIKE VEST / DAVE SNEDDON - To Be True, Then The Loop Will Run Forever (Phantom Flame vinyl LP) (2025)

But now let's turn on the amps - for some loud crunchy Noise Rock!

Beyond that there's not really much to say about "To Be True, Then The Loop Will Run Forever", which features three figures from the British and Japanese underground scene just spontanously rocking it out - dirty, distorted, trippy and ecstatic.

The name which pulled me in was Doom/Drone/Heavy Psych master Mike Vest, who plays a lively pumping and always very song-serving bass here.
Drummer Dave Sneddon has cooperated with him on multiple occasions before, so even though they are improvising the rhythm section is sticking together very safely.
Judging from the long and winding album title one could expect Keiji Haino to be a part of this trio, but front and center of the group Kawaguchi Masami has at least worked with the Experimental Noise legend in the past - and it shows that there are some similarities.

So there you have it: Raw Psychedelic Garage Rock with Japanese (I guess) vocals that not only pushes forward, but at times also shows some remarkable depth. Yeah, this half of an hour passes very quickly.

The LP is a joint release by WV Sorcerer and Echodelick Records.







DOPE PURPLE - Children In The Darkness (Purple Galaxy vinyl LP) (2025)

Last but not least, presented by WV Sorcerer and Riot Season Records, we have a new album by the Taiwanese band that's so much better than their cheekily derivated name might suggest. Recorded during a midnight live session the five Psych freaks of Dope Purple, including Mong Tong member Hung Jiun Chi teamed up with two guest musicians (Darren Moore on percussions and voice, Yong Yandsen on tenor sax) to create three splendid epic, loud and trippy Psych excesses.

"New Psyche & Beyond The Body" really milks its steadily growing crescendo, building a wall of crunching bass, noisy shredding and screeching saxophone on a repetitive guitar idea that gets wilder and wilder, always adding yet another level of escalation every time you think they've reached the maximum of batshit crazy. Beware: These guys want to burst your speakers!

The B side of this purple-coloured record begins comparatively laid back with "Night Flying 夜間飛行". Clean guitar and cosmic synths set the mood before the saxophone passionately screams into the relaxed mood, signaling that once again Dope Purple will masterfully build this up to a delicious full Acid Mothers Temple Kraut inferno.

The album ends with the title track. "Children in the Darkness 被遺忘的孩子" is hands down one of my favorite tunes of the year so far - and the main reason I featured this record among my Midyear TOP 15. That beautifully yearning guitar chord progression just goes to all the right heartfelt places, while the other sounds swirl around it so gently like magical winds and butterflies.

Of course Dope Purple cannot help themselves and ultimately shovel a good amount of noisy guitar over this dream. However its aching beauty persists until the end.

And just to end this review by throwing in the odd unexpected reference, the vibe actually reminds me of both "Pleasuredome" and "Sunday Mood" from Austrian Death Metal innovators Disharmonic Orchestra. Yeah seriously, look those up, if you doubt me!







2025-07-04

MIDYEAR TOP 15: my favorite albums of 2025 (so far)

Damn, half of the year is already over again! So here's a very quickly in the moment decided selection of my favorite fifteen albums of 2025 so far. No long write-ups, no distinction between live and studio releases. Just great music!

This is so impossible... more than one release I considered a TOP 5 candidate before is already missing here. But maybe those will return in six months, who knows?


  1. YAZZ AHMED


  2. LAIBACH


  3. CLIPPING.


  4. CHAT PILE


  5. TEMPLE FANG
    Lifted From The Wind


  6. SWANS
    Birthing


  7. IMPERIAL TRIUMPHANT
    Goldstar


  8. NEPTUNIAN MAXIMALISM
    Le Sacre Du Soleil Invaincu


  9. KOENJI HYAKKEI
    Live At Club Goodman


  10. DOPE PURPLE
    Children In The Darkness


  11. MESSA
    The Spin


  12. SOPHIA DJEBEL ROSE
    Sécheresse


  13. DALILA KAYROS
    Khtonie


  14. WREKMEISTER HARMONIES
    Flowers In The Spring


  15. CAUSA SUI
    In Flux





2024-04-14

WV Soul Sorcery with DOPE PURPLE & BERSERK, 李劍鴻 LI JIANHONG and ZAÄAR


Last triple review before the annual Roadburn pilgrimage? Probably, unless something extremely spontanous comes up before Wednesday morning. And as always when I have received a package from the French-Chinese quality Avantgarde label WV Sorcerer Productions you can bet it's some stuff far from any norms!






李劍鴻 LI JIANHONG - 魂​靈​獨​居​者 Soul Solitary (Pale Coral Pink vinyl LP) (2024)

However, if the sheer prospect of one guy playing two twenty-two minute improvisations of seemingly erratic experimental Noise / Drone / Feeback pieces on his guitar, occasionally accompanied by barks, shouts and traditionally inspired Chinese singing, throws you off... then you should probably skip this new live album of Li Jianhong.

However again... if you appreciate his work on "Mountain Fog" or his phenomenal collaboration with Wen Zhiyong and Deng Boyu, then "Soul Solitary" should almost be a no-brainer, especially considering its awesome artwork, even though it's not presented on a gatefold sleeve, as it would deserve.

Undoubtly more aggressive and unsettling than the aforementioned works this really might either be a more or less accessible record, depending on where you're coming from. For sure this is rather suited to experience in an introspective deep listening session than as coversation backdrop music on a party. But that shouldn't come as a surprise, right?

Probably not the easiest entry into Li Jianhong's body of work, but maybe I'm completely wrong here, since I just love this stuff aynway.








DOPE PURPLE & BERSERK - This Is The Harsh Trip For The New Psyche (Bloodshot Eye vinyl LP) (2024)

Taiwanese Acid Mothers Temple worshippers Dope Purple are back with a new album quite different to its predecessor "Grateful End". This time their Space Rock seems to be less wild and chaotic, more controlled and... no wait, that's not the whole truth. For the most part this would probably be an indeed much more relaxed record - had they not added a new secret sauce to their recipe. Enter electronic Harsh Noise artist Berserk!

Sometimes he just blends in harmonically beside the band's own keyboard player and guitars, but once he's really let loose it becomes a miracle that this music still works.
On a rather short, wild and heavy overload of everything like "Highlander" it just resembles a raging war between elements. On longer tracks like "Norman on the Moon", "Never (Say) Die 星​期​天" or "Ashes of My Telepathic Love" on the other hand Dope Purple are seasoned sailers steadily piloting their ship through the most ridiculous storms completely unfazed by the winds and waves around them going completely berserk.

Mixing this confrontation must have been a challenge: preserve the maelstrom, but also don't lose the musicality! This "Harsh Trip For The New Psyche" masters this excercise. You're asking yourself WTF you're listening to, and in the same thought you can answer this question, because you still actually understand everything which is going on, no matter how fucking nuts it gets. Brilliant Psych Noise insanity!

This album is a collaborative release not only available from WV Sorcerer Productions, but also from Riot Season Records.








ZAÄAR - Musique Cryptique (Live in Liège) (CD) (2024)

And finally a group which builds a bridge to Roadburn for me, as they have not only played there in 2022, but several of their members will also be on stage with Neptunian Maximalism next Sunday.

The packaging of "Musique Cryptique" looks like a seven inch single, but there's actually a full live album on compact disc inside. Zaäar take their primal esoteric freeform music into a cave and oh boy, what a beast are they unleashing!
The tracklist reads ten titles, but you hardly even realize most of their transitions, as this is one big ecstasy of timeless expression. The most radical Coltrane spirit speaking through a modern quintet, which now switches the bass against an amplified santur (an Iranian variant of the hammered dulcimer) and further accompanies drums, percussions and saxophones with all kinds of electronic drones and textures, samples, throat singing, animal noises, flutes, trumpet, zurna and zither.

That sound like a lot? It for sure is! Zaäar don't play your grandfather's Free Jazz, but they might play Mitocondrial Eve's Free Jazz or the Free Jazz of a future post humanity. Whatever it is, it feels Spiritual, tribal, global, inimitably Avant-Garde, yet universal conscious. What a hammering meditation! What a monstrosity of freedom! What a wildfire of inspiration!

Piss off already, Jazz police! This slaps.





2021-05-23

WV SORCERER Zauberei mit DOPE PURPLE, 李劍鴻 LI JIANHONG und OTAY:ONII


Es begann mit der Vorbestellung des Soloalbums von Neptunian Maximalism-Chefvisionär CZLT (Vinyl verzögert sich leider noch etwas) und einer der mit an Sicherheit grenzender Wahrscheinlichkeit traumhaftesten Versionen von Senyawas "Alkisah".

Inzwischen habe ich vier weitere Alben bei WV Sorcerer Productions geordert, und ich glaube, das französisch-chinesische Label, welches konzeptionell im breiten Feld zwischen Drone, Folklore, Jazz, Psychedelik, Esoterik, Black Metal, Noise und weiterem Experimentalismus zu Hause ist, dürfte sich zu einem meiner Lieblings-Frischmusikzuführer des Jahres entwickeln.

Neulich trudelten folgende drei Scheiben bei mir ein:




DOPE PURPLE - Grateful End (transparent yellow LP) (2019/2021)

Jupp, der Name dieser taiwanesischen Band ist ziemlich  on the nose. Und der Songtitel  "Cosmic Rock Is Not Dead" verjagt auch jeden weiteren Zweifel, worum es auf dieser ursprünglich bereits 2019 erschienenen, doch nun erstmals auf Vinyl erhältlichen LP geht.

Die vier Tracks sind in der Tat 100% Spacerock, und zwar der permanent Schüttelreflexe auslösenden und auf die Glocke gebenden Art. Die Gitarre drängelt sich dabei schrill und dreckig ausflippend ständig in den Vordergrund, worauf der Rest der Gruppe dann auch schonmal mit derbem Chaos kontert.
Keine Frage: Das ist rebellisch lärmender, geiler Scheiß. Vielleicht auch genau richtig für Leute wie mich, die sich angesichts der einschüchternd gigantischen Diskographie nicht so recht an Acid Mothers Temple rantrauen? Auf jeden Fall sollte jeder, der seinen Psych wild am Rad drehend mag, hier einmal reinhören.

Die Platte klingt gut und sieht super aus. Es zum Auflegen allerdings hilfreich, zu wissen, dass sich das längste Stück ("人類最後的一天​/​甜美的夜晚,甜美的死亡 The Last Day Of Humanity​/​Good Night, And Good Death") auf der B-Seite befindet.






李劍鴻 LI JIANHONG - 山霧 Mountain Fog (CD) (2021)

Wem Dope Purple noch nicht sechssaitenzentrisch genug sind, der ist bei Li Jianghong genau richtig aufgehoben. "你看見那個火球了嗎?它躍過了望海崗 Did you see the fireball? It just leapt beyond the Wanghai Gang", der Opener der CD "Mountain Fog" besteht nämlich aus nichts anderem als siebzehn Minuten lang lärmender, dröhnender, dramatische Bögen spannender und vulkanisch eruptierender Gitarre.
Es handelt sich hier um eine 2018 in Zürich mitgeschnittene Liveaufnahme des chinesischen Experimentalmusikers, den ich stilistisch nach dem Eindruck dieses Albums zwischen Drone-Ikonen wie Stephen O'Malley und Dylan Carlson auf der einen und Noise/Jazz-Extremisten wie Keiji Haino oder Otomo Yoshihide verorten würde. Seine größte Stärke ist dabei der erzählerisch stringente und erhabene Charakter seiner Krachmacherei.

Das zweite und abschließende Titelstück wurde eine knappe Woche später auf derselben Europa-Tour in Frankreich aufgenommen. Hierbei handelt es sich um eine gemeinsame Improvisation mit dem Saxophonisten Wang Ziheng, bei der die einzige Absprache in der Vorgabe "Lass uns einen Berg spielen!" bestand. Und ein Berg ist dieser über eine halbe Stunde lang mäandernd wandernde, den Gipfel erklimmende und weit in die Ferne schauende Drone wahrhaftig.

Gewaltig, fantasiereich, beeindruckend.

Erwähnenswert ist auch, dass bei WV Sorcerer nicht nur die Plattenveröffentlichungen, sondern auch die CD - hier mit eindrucksvoller Fotografie von Li Jianhong und schwarzer statt silberner Tonträgerrückseite - sehr liebevoll gestaltet sind.





OTAY:ONII - 冥冥 Míng Míng (CD) (2021)

Das Digisleeve und die hier goldene CD wissen auch bei Otay:onii sehr zu gefallen. Musikalisch ist das zweite Solowerk von Lane Shi Otayonii, zwischen New York und Shanghai pendelnde Sängerin der US-Shoegazeband Elizabeth Colour Wheel der umfangreichste stilistische Rundumschlag des hier rezensierten Trios.

Verantwortlich nicht nur für Gesang, sondern auch für sämtliche Instrumente und mich an die Neuauflage von Wang Wens   "0.7" erinnernde Gemälde, schafft die gebürtige Chinesin auf "Míng Míng" einen gewaltigen, genauso abwechslungsreichen wie ergreifenden, Klang gewordenen Bildteppich, der sowohl instrumental als auch dank ihrer stimmlichen Fähigkeiten Dead Can Dance und Björk, traditionelle Folklore und brutalen Elektro-Noise miteinschließt.

Bemängelnd kann ich an "Míng Míng" nur, dass es trotz immerhin acht Songs doch insgesamt recht kurz geraten ist. Ansonsten ist dieses enigmatische, für keine vorgefertigte Schublade geschaffene Werk nämlich ein nahezu unantastbares, künstlerisches Statement geworden, welches ich, wenn ich nicht alphabetisch sortieren würde, wohl zwischen Zola Jesus und dem Kaiti Kink Ensemble einsortieren würde. Oder in der immer weiter wachsenden Asien-Abteilung meiner Sammlung natürlich.

Verstecken muss sich Otay:onii auf jeden Fall vor absolut nichts und niemandem.

Was genau es übrigens bedeutet, dass die Absolventin des Berklee College zweimal den "Laurie Anderson Women in Technology"-Award verliehen bekommen hat, kann ich nicht beurteilen, aber rein von der Referenz her stimmt mein Bauch hier sofort zu.

Große Kunst!