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Posts mit dem Label Stephen O'Malley werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Stephen O'Malley werden angezeigt. Alle Posts anzeigen

2023-01-22

KALI MALONE feat. STEPHEN O'MALLEY & LUCY RAILTON - Does Spring Hide Its Joy

I only just got to know (and review) Kali Malone's last album "Living Torch" and here's the next one already! For anyone who might be challenged by Ambient / Drone in general the predecessor had the selling point of its very convenient half-hour length.

For "Does Spring Hide Its Joy" this reasoning unfortunately cannot be rehashed, since even on CD the album comes on three discs with one track slightly above one full hour playing time each!*

So how do you even listen to this?

KALI MALONE feat. STEPHEN O'MALLEY & LUCY RAILTON - Does Spring Hide Its Joy (3CD) (2023)

Well, let's start with how not to listen to this: If you're already tired after a work day and just lie down doing nothing but listening, you'll be lucky to reach the first half-hour mark. At least that was my experience.

My usual answer on how to handle a three-hour album would be that you only listen to half or third of it at a time, because being able to sacrifice your undivided attention to one piece of music for such a long time is quite a luxury, especially if you want it to be a time of the day when it's unlikely that you get drowsy and doze off. And this is a very minimalistic, textural work, which unlike Kamasi Washington's "The Epic" or Swans' "Soundtracks For The Blind" won't entertain you with a multitude of immediately distinctable individual tracks and ideas - and it won't go out of its way to suddenly wake you up if it accidentally lulled you to sleep.

But don't understand me wrong! I'm not saying that "Does Spring Hide Its Joy" is boring at all.
No, even though you will only experience the trio of Lucy Railton on cello, Sunn O)))'s Stephen O'Malley (whose label Ideologic Organ also released the album) on guitar and Malone herself on tuned sine wave oscillators very slowly weaving a never-ending tapestry of subtly changing drones, noises and sparse melodic ideas, this is actually a much more varied and dramatic experience than you might imagine now. But given the stylistic framework in which it happens you still really need to be there for it!

I know, it's always an easy phrase, which makes you look like a proper professional music nerd better at listening than the average listener, to say that an album cannot be heard in the background, but rather demands attention. It is true for this one though.
The good news is that it's also completely fine to randomly pick one of the three parts of "Does Spring Hide Its Joy" and immerse yourself into it, if you only have one hour to spare. I can guarantee you that if you feel any love for Ambient, Drone and Modern Classical experimentalism, these soundscapes have the potential to fill you with an enormous amount of both instinctual and intellectual satisfaction.

But back to the initial question! Here's my success story and personal recommendation if you want to experience the whole thing in one sitting: Pick an activity which keeps you busy, but doesn't command much attention while you put this masterly produced mammoth on your headphones! Seasoned knitters, this is your hour three hours!
For me it was editing, as in removing lint and dirt from scans of film negatives, since I'm always behind with that and still want to publish of last post about my 2022 photography, devoted to medium format, here hopefully this month.

But that of course has nothing to do with why you should check out this album. It's a masterpiece, that's why.


*As you can see in the Bandcamp player the download version is structured differently, featuring also smaller chunks of parts one and two of the album - like on the vinyl release, which completely omits part three, because otherwise it would have to be a five LP affair.







2020-09-04

SENYAWA & STEPHEN O'MALLEY - Bima Sakti

While I'm still enjoying the Phurpa tape I ordered last Bandcamp Day (and guess what, today is already BC Friday again) as well as the freshly arrived Mansur EP, let's stay inside this realm of spiritually ladden experimental folk fusion a little longer!

(Spoiler alert: I will even specifically mention the spike fiddle again!)




SENYAWA & STEPHEN O'MALLEY - Bima Sakti (purple vinyl LP) (2020)


Drone my god! This collaboration really sounds as good as its promise.

Senyawa are an Indonesian duo, mixing drone with folkloristic elements, noise and whatnot. I've been introduced to them at the end of 2018, when I wrote a short review of the digital version of their phenomenal album "Sujud", which has been one of my favorite drone records ever since, especially after I found it on vinyl for a reasonable price.

"Bima Sakti" now sees them joining forces with none other than Stephen O'Malley of the mighty genre giants Sunn O))).

Distilled from a probably mostly improvised live show in January 2018 the six tracks find all participants in their expected roles: O'Malley on his gnarly yet majestic drone metal guitar, Senyawa's Rully Shabara on very flexible extreme vocals and Wukir Suryadi on flutes and several selfmade electrified string instruments. I cannot clearly specify those, but I'm sure there must be some kind of Javanese spike fiddle and maybe a deeper variation of the siter in play. And whatever else is used in Gamelan music. I really have no clue about that topic, so I'm only guessing.

The result of this mixture however is a staggering gem of profound and vivid beauty. And by this I don't mean that "Bima Sakti" is sweet or kitschy.
No, the beauty evoked here is deeply earthbound and natural, not designed to please some fleeting aesthetic principle of the day.

With the flutes and manifold weird voices representing birds, wildlife and light and the droning strings standing for its eerie ancient roots and deceitful darkness, I cannot help but see the picture of a jungle painted before my inner eye. Subtly established and without resorting to too worn-out tropes tropes (which is not an accidental word doubling, but an actual term here, haha), but it is unmistakibly there.
Some passages like "Birma Dan Ular Naga, Part II" contain meaner noises, which seem alien to this habitat and could very well be manifestations of the disturbance through human civilization.

Speaking with my personal review history: "Bima Sakti" is the foreboding thicket you enter once you take a step ouside the light-flooded glades of Tengger's ambient meditation.

Maybe I am going far too Botanist with my interpretation, but it certainly speaks for the quality of the art when it can stimulate these visions.

However whether there was an outspoken intent behind it or it's just part of Senyawa's artistic DNA; that's ultimately a question which doesn't really matter at all.
No, what's important is the way these three musicians can come together and tap into the realm of visceral and pure expression, while keeping a very distinct individual style.

Anyone who has seen this performance live should count themselves lucky, because "Bima Sakti" truly is a masterpiece of excellent ethnic drone metal fusion.




So far the album is available digitally and on purple vinyl.