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Posts mit dem Label Sun Ra Arkestra werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Sun Ra Arkestra werden angezeigt. Alle Posts anzeigen

2023-08-18

SUN RA ARKESTRA live at Kampnagel, Hamburg (August 16th 2023)


Wednesday began not only too early, but also with a primal scream as I woke up with a cramp in the calf. I didn't half one of those for an eternity and it comes now? Not enough to hold me back from my fourth show of the Sun Ra Arkestra since 2018!
Besides the remainder of pain in my leg the lack of sleep became an annoying issue. I didn't even have time for a quick power nap between work and driving to Hamburg, since I had to go early, so that I was in time to pick up some cassette shelf pieces from a fine specialized manufacturer on the way. That saved me twenty-five Euros of shipping costs.

You're noticing that I'm in need of peripheral filler sentences? Yeah, the thing is that the last Arkestra show had only just been nine months ago. The two and a half hours set wasn't radically different and even the circumstance of band leader Marshall Allan being absent repeated itself this night. And again I cannot be mad about that. It is what it is: The man is ninety-nine years old, still playing shows close to home, but cannot fly overseas anymore for health concerns. Being part of this band since the 1950's and leading it for decades since the departure of Sun Ra himself he certainly doesn't owe anyone anything. Nothing but best wishes and respect for the legend!
And of course the twelve musicians left on stage did everything in their power to make him proud again. So all in all I could just copy-paste my report from last November, right?

Uhm, no. And luckily so! Because as great as they were back then, the Elbe Philharmoc Hall isn't the proper place for their energetic big band Jazz. Give me a real stage, where I can stand in the first row and feel the wind instruments blowing in my (beard) hair! Man, this was so much better!

The trumpets and all the saxes were on fire, but also keys and guitar were allowed a lot of spots to shine, as Knoel Scott conducted the band, somehow holding all the wild overflow of musical joy together, while he was always busy alternating between instruments himself.
If there was a star of the show though, then it was obviously spectacular singer and Arrival Day child Tara Middleton with a performance that radiated so much fun, love and that soulful stuff which gives you goosebumps! What an amazing ensemble!

And as I said - that greatness just an arm's length away with the horns and upright bass and percussions engulfing you from both sides. That's how it has to be!

I have no idea how time works, because that went by much too fast for over two hours, right? Again, seeing the Arkestra play is always more mind-blowing than I remembered from the time before. And introducing the band members in their empty chairs while most of them are already backstage is a fun little twist on that tradition. Yeah, this was a great night!

When I got back into my car, which was parked next to a stone wall, a marten walked by on top of that, stopped right at my passenger door and said Hello.
Again, I have no idea how that is of any significance for anyone who just wants to read about one of the greatest Jazz bands of all time, but come on, it's yet another successful filler sentence. And where else should I tell that? 





2022-11-14

SUN RA ARKESTRA live in the Elbe Philharmonic Hall, Hamburg (November 13th 2022)

Sun Ra Arkestra

Ok, before I start this little report, let's get the unavoidable out of the way! This was my first rodeo in the Elbe Philharmonic Hall (German: Elbphilharmonie or just Elphi), so here are my obligatory smartphone snapshots from the venue:


Or alternatively the Digital Harinezumi toy camera version:


Admittedly I've had better days of taking in a new place, since the only thing going through my mind on the long escalator ride up to the Plaza was I need to pee I need to pee I need to pee I need to...



But let's better focus on the show now:


SUN RA ARKESTRA

Well, of course it's impossible to write about this event detached from its venue. Personally I would have preferred another location for various reasons:
As stunning as the architecture and amazing sound design of this concert hall may be - it's just not a place for loud audience participation. In terms of disturbance that may not be the biggest problem for the Sun Ra Arkestra, which plays loud enough ninety percent of the time to drown out any cough or sneeze. On the other hand I just doubt that the über-clean listening experience in the Elphi is what this band in particular requires. Shouldn't jazz be moving away from the "highbrow" cultural sites and into the wild anyway?
There was a certain awkwardness, which reminded me of Anna von Hausswolff's pipe organ concert in  Århus' St. Lukas Church one year ago, where everyone needed a while to figure out when it was appropriate to applaud. Speaking of the audience: In a place like this there will always be many people who don't even come for the music, but either because this kind of venue corresponds to their social status - or because they are tourists, who just happen to visit Hamburg on this weekend. Both groups aren't exactly experts on how live shows work. Lesson: When the show has ended, but there's no music from the speakers and the lights are still dimmed... there might possible be an encore on the way!
So you paid quite a bit more than for a venue that doesn't employ an army of ushers - and then you cannot wait to flee the scene as soon as the band has left the stage? Or did all of you just need to pee so desperately? I feel you (see above), but take my pro advice: Just go before the show starts!

But I'm already ranting about the end, so let me rewind a bit and actually finally talk about the Arkestra!

After two mind-blowing Kampnagel shows in 2018 and 2019 this third encounter sadly missed the key figure of band leader Marshall Allan. It wasn't addressed why exactly he was missing, but I don't think anyone needs that information. The man is freaking ninety-eight years young now, so if he has a cold, you don't put im on a plane across the Atlantic to play a show, period. No question.
Of course those incomprehensibly experienced twelve musicians left on stage didn't have any problem to let others step into the leader role and play a fantastic almost two-hour show.
The only musical component which came shorter than usual was the dirtier side. Of course there still were the joyfully nasty "Angels and Demons at Play", but without Allan's shrill sax solos and his alien electronic wind instrument craziness the scales clearly tipped towards the lighter blends of Sun Ra's legendary catalogue which swirled the big band through classic Hollywood, African and Caribbean moods and also featured a good portion of vocal jazz lead by the wonderful Tara Middleton.

Even though the ensemble always left its players enough freedom to allow adventurous things to happen - and I'm not only talking about one-man-action show Knoel Scott on saxophone, percussion, vocals and dance alone -, in comparison this was kind of the most tame and easy-listening spin on the Arkestra I've seen.
Which was perfectly fine and also suited the surroundings, which just couldn't offer the loud and sweaty immediacy of experiencing this in front of a more regular club stage.

Don't get me wrong: There's a lot to admire about the Elphi hall and its specific production possibilities. And without any trace of doubt this show was great. Nothing but love and respect for this band which has shaped and influenced so much music and culture since the 1950's!

The list of artists I want to see performing here before anywhere else in the future however... remains rather short.








2020-10-29

SUN RA ARKESTRA - Swirling

Dieses Album - so viel gleich vorweg - war wohl schon lange überfällig.

Nicht, dass es an Gelegenheiten mangeln würde, für das Schaffen Sun Ras Geld auszugeben, erscheint doch ständig rares und neu aufgelegtes Material aus der genauso gigantischen wie unübersichtlichen Diskographie des Jazz- und Afrofuturismus-Vorreiters.

Nun hat allerdings der Meister selbst diesen Planeten ja bereits 1993 verlassen, und Marshall Allan zwei Jahre danach die Leitung des Sun Ra Arkestra übernommen. Und aus jener langen Zeit, die der Saxophonist nun schon dem Repertoire mit seinen Arrangements seinen Stempel aufdrückt, existiert bislang kein Studioalbum.

Diesem Mangel wird offiziell morgen (30. Oktober) mit "Swirling" ein Ende bereitet.



SUN RA ARKESTRA - Swirling (clear vinyl 2LP) (2020)


Der Titeltrack des Doppelalbums ist ein von Marshall komponierter, im Herzen leichter, aber durch die typisch schräge Vielstimmigkeit der Big Band doch unverkennbar in der Sun Ra-Tradition verhafteter Swing.

Der komplette Rest von "Swirling" besteht allerdings  aus aktuellen Inkarnationen bekannter Stücke, eine gesunde Mischung aus greatest hits und deeper cuts.

"Braucht man das wirklich?" mag der eine oder andere vielleicht jetzt noch einmal nachfragen, und meine Antwort ist ganz klar: auf jeden Fall!

Ob es die instrumentalen und gesanglichen Performances der die Liveband über die letzten Jahre prägenden Mitglieder sind (von denen insbesondere Sängerin Tara Middleton und natürlich das schrille Saxophon und die spacigen Eskapaden Marshall Allans auf dem elektrischen Windinstrument hervorstechen), oder die großartige, den Livesound der Gruppe perfekt einfangende Produktion - diese Veröffentlichung rechtfertigt sich auf allen Ebenen.

Letztendlich - und diese Wahrheit darf man bei einem Ensemble, dem mehrere aktive Mitglieder bereits seit den 1950er Jahren angehören, ruhig aussprechen - wird "Swirling" auch ein zentrales Vermächtnis für alle Hörer sein, die in den letzten drei Jahrzehnten zum Arkestra gefunden haben. Und vielen, die bisher keine Berührung mit der advantgardistischen Jazzlegende hatten, mag es in Zukunft auch einen sinnvollen Einstieg in den Kosmos Sun Ras bieten.

Marshall Allan & Sun Ra Arkestra, Überjazz 2019
Selbst ohne Pandemie musste man ja schon für jedes Jahr dankbar sein, welches die Veteranen um den mittlerweile sechsundneunzigjährigen Bandleader auf den Livebühnen dieser Welt sah.
Ich habe das Privileg genossen, sie sowohl 2018 als auch 2019 erleben zu dürfen, und beide Shows waren genauso unglaublich wie horizonterweiternd und inspirierend. Eine Band, die es so nur einmal geben kann.

Und wer kann angesichts der Weltlage voraussagen, ob das Arkestra je wieder zusammen auf Tour gehen kann? Mehr als ein paar besonders gesicherte und begrenzte Einzelshows kann ich mir auch für 2021 jetzt noch nicht vorstellen. Vor allem bei einer derart buchstäblichen Risikogruppe.

Mit Perkussionist Stanley "Atakatune" Morgan und Saxophonist/Flötist Danny Ray Thompson sind zwei der an diesen Aufnahmen beteiligten Musiker indes schon nicht mehr hier und betrachten gemeinsam mit Sun Ra und ehemaligen Erdreisenden wie June Tyson und John Gilmore unser Treiben aus der galaktischen Ferne.

Was auch immer die Zukunft bereit hält - und ich wünsche ja der ganzen Truppe, noch fitte 107 Jahre zu werden, wie es Trommelpionierin Viola Smith jüngst geschafft hat -, genau jetzt sind wir zu Hause und haben dieses Album.

Vom  knapp an traditionellen Konventionen Vorbeischrammenden, irgendwie schon immer Vertrauten (denn das Arkestra war ja gefühlt schon immer da und hat seinen kreativen Einfluss weit gestreut) zum immer noch überraschend Abgefahrenen, von Afrobeat und Vocal Jazz, zu experimenteller Trickfilmsoundtrackmusik stellt "Swirling" eine umfang- und abwechslungsreiche Werkschau dar - und gleichzeitig ein in sich stimmiges und für sich alleine bestehendes Album.

Keine Frage: Wer irgendwie an Jazz, Black Music und generell saugutem, nicht alltäglichem Scheiß interessiert ist, der sollte das Sun Ra Arkestra dieses Jahr unbedingt auf dem Schirm haben.  



Während die Musik für mich über jeden Zweifel erhaben ist, gibt es doch zwei Kritikpunkte an der Veröffentlichung:

1. Zwar sieht die LP (erhältlich in schwarz, gold oder exklusiv über HHV transparent) super aus, doch lesen kann die winzigen Credits ohne Lupe doch niemand! Und das ist kein Spruch, sondern ich habe tatsächlich eine Lupe zur Hand genommen. Da wäre noch genügend Platz gewesen, um den Schriftgrad erheblich zu erhöhen.

2. Mit "Unmask The Batman" und "Space Loneliness" fehlen auf der Doppel-LP zwei Tracks der digitalen Version, und trotz Präsenz auf Bandcamp liegt kein Downloadcode bei, was zusätzlich enttäuscht, wenn dies bei einer anderen LP des Labels, welche man gerade bekommen hat, machbar gewesen ist.  

Das ist dann wohl ein Argument, sich die Schallplatte direkt über Bandcamp (dort allerdings nur in klassisch schwarz) zu ordern.






2019-12-13

MUSIC 2019: TOP 20 live shows




Ok, technically this isn't a top 20 list. It's one top 8 list (solo/club concerts) and one top 12 (festival shows).

Why those numbers? Because they seem reasonable in relation to the total of shows I attended this year. It doesn't mean there weren't more fantastic nights (thinking of the four sets Bone Man extravaganza in Kiel, Psychotic Waltz, Wang Wen, Kikagaku Moyo...) and more great performances at the admittedly very few festivals I attended in 2019.

These however were the ones which stood out the most:




SOLO/CLUB SHOW TOP 8:





  1. It's amazing how after all those years a new Laibach tour is still an exciting prospect which will always floor and surprise you. In theory this show should have been old news, with most of both "The Sound Of Music" and the "Laibach revisited" material having been performed numerous times on previous tours. But thanks to new arrangements (and also a couple of new songs), new blood and new visuals this show was yet another mindblowing experience. Especially "Vier Personen" marked one of the best moments of the year for me.
       

  2. ESBEN AND THE WITCH - Molotow, Hamburg
     
    "Find your own peace" Rachel Davies requests in "Seclusion". One vital piece in the puzzle of how to achieve that might be to see Esben And The Witch live. Everything in the post punk trio's music "centers around the perfect juxtapostion of ostensible simplicity with emotional complexity", as I already put it in my review. This band is just so enormously raw, delicate and goosebumps-inducing. If you get the chance to see them - don't you dare to miss it!

      
  3. VOIVOD - Bahnhof Pauli, Hamburg
     
    I know, Voivod high in this list once again doesn't come as a huge surprise. But I am not at all to blame here, because come on, the Canadian SciFiProgThrashPunkMetal legends are just that fucking good. As always the set was too short to do their decades of high quality output justice, but hey, it had more "The Wake" in it than last time - and it ripped and killed from start to finish.


  4. MOTORPSYCHO - Markthalle, Hamburg
      
    See the Voivod paragraph above? Similar situation here. With Motorpsycho you can always count on being flattened by a ginormous rock'n'roll steamroller. Consisting of classics, highlights from "The Tower" and a block with the whole "The Crucible" album (played in reverse order) this show was nothing short of one long thundering superlative.

      
  5. SUNN O))) - Kampnagel, Hamburg
     
    Without Mayhem vocalist Attila Csihar on stage, Sunn O))) presented themselves in a decidedly different form. Warmer, less abrasive, more meditative - but of course still earth-shattering loud. And that beautiful transcendent trombone moment at the crest of the show will stay in the heart of everyone who had the pleasure of seeing the drone metal masters on this tour.

         
  6. MONO + JO QUAIL - Mojo Club, Hamburg

    And yet another rightfully very expected entry in this list. They are at it for twenty years now and it shows in all the best ways. In cinematic, monumental, deafening instrumental post rock, there is just no match for Mono. To have looping cello player Jo Quail as support act and stage guest was also a very fitting decision.

      
  7. KANAAN - Hafenklang, Hamburg 

    "Ok guys, so how much John McLaughlin and Billy Cobham do you have in you?" - "Yes."

    Even though this was only their first date on their first European tour, the Norwegian instrumental power kraut rock jazz doom fusion trio Kanaan didn't waste any time in instantly becoming one of my new favorite live bands. Exciting psychedelic bliss!

         
  8. BIG|BRAVE + MY DISCO - Die Schute, Hamburg
     
    After a personnel change behind the drumkit following the recording of the last album, the live sound and appearance of Big|Brave surely looks and sounds a little different than before, but it's still an equally crushing masterclass in emotionally captivating drone rock minimalism. The fitting tour package with the experimental Sumac-meets-John Cage trio My Disco (also on the picture; Big|Brave hasn't changed THAT much) - and all this on a tiny boat - was the icing on the cake.


  






FESTIVAL SHOW TOP 12:




  1. Right now there are only few artists out there who can in any way compete with the massiveness of the drone and the otherworldliness of the voice of Swedish singer and instrumentalist Anna von Hausswolff. The audience in the packed 013 main hall fully agreed with this sentiment and ate out of her hand completely stunned and mesmerised.  


  2. SUN RA ARKESTRA - Überjazz Festival
     
    Wow! Who would have thought that after not much more than a year I would have another chance to see this legendary beyond words free jazz big band in Hamburg again? This time 95 years young band leader Marshall Allan had "only" ten other musicians with him, and without electric guitar and female vocals the band rang closer to its original sound from the 1950s. Yeah, I know. As if I could seriously judge that.


  3. IMPERIAL TRIUMPHANT - Roadburn Festival

    Triumphant indeed! There could have been no better choice to say goodbye to the former church and beloved location Het Patronaat than the extreme, jazz-rooted black metal inferno the New York trio unleashed upon the thankful crowd at the very end of this year's Roadburn edition.
       

  4. MONO + JO QUAIL QUARTET - Roadburn Festival
     
    With a grand piano and accompanied by a string quartet the Japanese post rock giants Mono performed their full masterpiece "Hymn To The Immortal Wind". What more could you possibly need?


  5. GLERAKUR - Roadburn Festival
     
    What more than Mono could you need? Well, what about the Icelandic four guitars and two drummers post rock force that is GlerAkur? With musical ties to the mentioned as well as the gigantism of Swans and Cult Of Luna they took the audience in the Koepelhal by overwhelming surprise.


  6. BLACK BOMBAIM & PETER BRÖTZMANN - Roadburn Festival
     
    The infectious heavy psych stoner groove of the Portuguese improvisational trio Black Bombaim combined with the wild and raw saxophone expression of legendary free jazz elder Peter Brötzmann. What a joy to behold! Damn, I really need this released as a record.
     

  7. LOUISE LEMÓN - Roadburn Festival
     
    As a firm atheist I'm not easily converted to any kind of cult. Against Louise Lemón, glittery high priestess of death gospel, and her smoothly droning dark pop however I didn't stand any chance of resisting. Soul-soothingly beautiful!




  8. THE END - Roadburn Festival
     
    I've had a good dose of advantgarde jazz / noise experimentalism at Roadburn, but boy, Mats Gustafsson's The End featuring two brutal saxophones and outstanding wide range vocalist Sofia Jemberg took everything weird and insane and turned it up to maximum. This show was an epitome of "what the fuck" on all levels.


  9. THE COMET IS COMING - Überjazz Festival

    Synthwave prog rave fusion? Who knows? Whatever you call the explosive jazzocalypse of Danalogue (keys), Betamax (drums) and King Shabaka (sax), one thing is for sure: this mix absolutely kills. And the fabulous stage production of the Überjazz Festival didn't stand in the way of making this performance remarkable either.


  10. LUCY IN BLUE - Roadburn Festival
     
    I've already laid down my love for Lucy In Blue's debut album "In Flight" in my album of the year list. This show was was the towering reason why I had to buy the album, because in Tilburg the Icelandic retro psych proggers not only celebrated its release, but also played it in full.



  11. SATAN - Deaf Forever Birthday Bash
     
    The New Wave of Britisch Heavy Metal is not exactly the genre with maximum rotation in my daily music consumption. But if I get the chance to see one of its godfather groups on stage at a festival I surely won't say no. Especially not, when the band is blessed with a charismatic frontman like Brian Ross and still killing it as fast, dirty and crazy as these gentlemen. Hail Satan!

     
  12. various - PINK TANK Festival Heide
     
    Ok, I'm cheating a little again by overlooking a couple of Roadburn artists (sorry Molasses and Sumac!) in favor of including a local Northern German label festival. After a kind of identy crisis last year the Pink Tank was back in Heide again under it's original moniker, and I can't even tell which of the shows was my absolute favorite. I guess it's a close tie between the psych drone doom of Bees Made Honey In The Vein Tree (who also only scarcely didn't make my AOTY list), the space punk of Burnpilot and the instrumental stoner prog of Camel Driver. The night as a whole was great and deserves this shout-out of appreciation.