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Posts mit dem Label Mike Vest werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Mike Vest werden angezeigt. Alle Posts anzeigen

2025-08-16

WV Sorcery with DOPE PURPLE, KAWAGUCHI MASAMI / MIKE VEST / DAVE SNEDDON and SENYAWA


Is it time to praise one of my favorite underground labels (and one of only two with their own section in my record collection) again?

Duh, It's always time for that!




SENYAWA - Membaladakan Keselamatan (Ballads for the Survivors) (Rainforest Ether vinyl LP) (2021/2025)

2021, the same year in which the Javanese Experimental Folk/Drone duo released their masterpiece "Alkisah" (still one of my very favorite albums of that year), also saw a seemingly smaller work from Senyawa. Only released digitally "Membaladakan Keselamatan (Ballads for the Survivors)" featured unplugged live session versions, showcasing that even performed on acoustic guitar instead of Wukir Suryadi's usual self-built electric noise devices their songs are just incredibly strong.
In this context Rully Shabara probably only shines even more as one of the most unique, versatile, expressing, just outstanding vocalists imaginable.

Now WV Sorcerer Productions has finally not only made this gem available in a physical format, but also added four previously unreleased tracks. So now we get a total of sixteen amazing tracks presented with all the love you'd expect from the label with great atmospheric photographs, OBI strip, a lyrics sheet and - if you're lucky enough to get one - in a beautiful blue-greenish vinyl colour.

No, this work really doesn't miss anything. Perfectly wholesome magic from another world.
    






KAWAGUCHI MASAMI / MIKE VEST / DAVE SNEDDON - To Be True, Then The Loop Will Run Forever (Phantom Flame vinyl LP) (2025)

But now let's turn on the amps - for some loud crunchy Noise Rock!

Beyond that there's not really much to say about "To Be True, Then The Loop Will Run Forever", which features three figures from the British and Japanese underground scene just spontanously rocking it out - dirty, distorted, trippy and ecstatic.

The name which pulled me in was Doom/Drone/Heavy Psych master Mike Vest, who plays a lively pumping and always very song-serving bass here.
Drummer Dave Sneddon has cooperated with him on multiple occasions before, so even though they are improvising the rhythm section is sticking together very safely.
Judging from the long and winding album title one could expect Keiji Haino to be a part of this trio, but front and center of the group Kawaguchi Masami has at least worked with the Experimental Noise legend in the past - and it shows that there are some similarities.

So there you have it: Raw Psychedelic Garage Rock with Japanese (I guess) vocals that not only pushes forward, but at times also shows some remarkable depth. Yeah, this half of an hour passes very quickly.

The LP is a joint release by WV Sorcerer and Echodelick Records.







DOPE PURPLE - Children In The Darkness (Purple Galaxy vinyl LP) (2025)

Last but not least, presented by WV Sorcerer and Riot Season Records, we have a new album by the Taiwanese band that's so much better than their cheekily derivated name might suggest. Recorded during a midnight live session the five Psych freaks of Dope Purple, including Mong Tong member Hung Jiun Chi teamed up with two guest musicians (Darren Moore on percussions and voice, Yong Yandsen on tenor sax) to create three splendid epic, loud and trippy Psych excesses.

"New Psyche & Beyond The Body" really milks its steadily growing crescendo, building a wall of crunching bass, noisy shredding and screeching saxophone on a repetitive guitar idea that gets wilder and wilder, always adding yet another level of escalation every time you think they've reached the maximum of batshit crazy. Beware: These guys want to burst your speakers!

The B side of this purple-coloured record begins comparatively laid back with "Night Flying 夜間飛行". Clean guitar and cosmic synths set the mood before the saxophone passionately screams into the relaxed mood, signaling that once again Dope Purple will masterfully build this up to a delicious full Acid Mothers Temple Kraut inferno.

The album ends with the title track. "Children in the Darkness 被遺忘的孩子" is hands down one of my favorite tunes of the year so far - and the main reason I featured this record among my Midyear TOP 15. That beautifully yearning guitar chord progression just goes to all the right heartfelt places, while the other sounds swirl around it so gently like magical winds and butterflies.

Of course Dope Purple cannot help themselves and ultimately shovel a good amount of noisy guitar over this dream. However its aching beauty persists until the end.

And just to end this review by throwing in the odd unexpected reference, the vibe actually reminds me of both "Pleasuredome" and "Sunday Mood" from Austrian Death Metal innovators Disharmonic Orchestra. Yeah seriously, look those up, if you doubt me!







2021-10-10

cassette craze chronicles VIII (feat. BRÍI, LUCY ADLINGTON & MIKE VEST and REPEATED VIEWING)


New tapes, new spinning... and already with the first one it's going out of control...








REPEATED VIEWING - The Family (2021)

Spun Out Of Control is a label specialised in limited cassette runs of synth music, which I am familiar with since Heinrich Dressel's "Shapeshifting". Yeah, that's not super long, but anyway here's the second tape I ordered from them. In the realm of John Carpenter inspired synthwave music, there are three, probably equally represented kinds of albums: just an album albums, actual soundtracks and soundtracks to imaginary obscure VHS movies. "The Family" is one of the latter.
Something with the involvement in an accidental death, satanic bikers, forbidden love and an unhappy ending, horror/slasher stuff, probably with a pinch of laboured and pretty bad humour. But honestly, you're only watching this trash for the astoundingly cool music in it anyway, right?
There's not much on this album by Alan Sinclair's one-man project Repeated Viewing, on which I could elaborate in detail, but if you're into Carpenter Brut, Zombi, Mitch Hunter and shit like I am, then chances are good that you might dig this. Cool.








BRÍI - Sem Propósito (2021)

Oh, another synth soundtrack release! At least for the first three or four minutes you could think that. Than it dawns to you, that it might rather be trance music - before it takes a turn to blasting black metal. And of course it does! This is a new album of Brasilian avant-garde extreme music project Bríi after all. And it seems like the shackles of genres and conventions are sitting even looser than on "Entre Tudo que é Visto e Oculto". Or at least the execution of the idea is even more radical now, as Serafim, who is only aided by two guest vocalists on this album doesn't give us any real time to breathe and digest what we're hearing. Instead he feeds us an hour of ideas in only two big unnamed chunks, each filling twenty-eight minutes and twelve seconds of one side.
Beside the ingredients electronic trance music (as in ambient, techno and synthwave) and black metal there are also elements akin to post rock and also - fitting, since the tape is being distributed by Lovers & Lollipops - a good amount of guitar-driven psychedelic rock.
I've already mentioned a spiritual connection to Esoctrilihum in my last Bríi review, yet in comparison this stuff is a lot more seamless, accessible and hypnotic. In its endless flow this album rather reminds me of the mesmerizing Russian blackgaze masterpiece "Ladoga" by Olhava. One hour is definitely not too long fo this album, especially since around the forty-minutes-mark, where a normal LP would end, the whole things just kicks itself to another level of awesomeness.
Even though huge amounts are something entirely different, I think I can already count "Sem Propósito" among my favorite metal releases of 2021. 








LUCY ADLINGTON & MIKE VEST - House Of Worship (2021)

No track titles, just side A and B, both sides filled with sound to the brim. Same as we just had with Bríi, albeit in this case both tracks are only twenty-two minutes short each. Other similarities these two tapes share are their love for ambient atmospheres and repitition. The genre is a different one though.
Lucy Adlington is a new artist for me, while I'm familiar to her cooperator Mike Vest as grandmaster of drone doomers Bong. And there you have it: "House Of Worship" is pure drone, recorded in a church, like its title suggests.
The trademark Bong guitar tone, which seems to carry Eastern enlightenment and mysticism is clearly recognizable, but there are more things going on. More guitar noises and feedbacks, scattered percussions - and my favorite, an old detuned piano, which opens the second half.
While a certain viscious darkness lurks deep in the shadows of this live recording, this isn't a drone which forces itself onto you as a purely punishing experience, yet rather lets you chose how you want to go through it yourself. And especially during that atmospherically thick and rich second mass I choose transcendence.
With an edition of 30 copies, coming with an original petal from the house of worship, this release could hardly be much more limited, so I'm very glad to call this treasure my own.

And whatever reasons UK customs had to return the little package to Lucy without explanation, so she had to try to send it a second time, I personally just file it under fuck Brexit, once again, for the bazillionth time.