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Posts mit dem Label Gush werden angezeigt. Alle Posts anzeigen
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2024-12-14

music 2024 : TOP 7 live albums


2024 added a good amount of great live releases to my collection. I could have easily saved myself several hard decisions, if I just made this a list of my favorite dozen of them. Kikagaku Moyo, Temple Fang, Li Jianhong, Martina Verhoeven could have all been included. But then there would still be more, so let's just except that this is what it is - the holy, unshakable, final selection of my...




TOP 7 LIVE ALBUMS 2024:


  1. No, Swans aren't getting significantly quieter or more compact yet! In a transformed guise of sound, which unites a newly found clarity with a still almost unfathomable heaviness, characterized by basses, lap steel guitars and Michael Gira playing on acoustic strings "Live Rope" presents the Noise titans as utterly glorious as I remember them from their last show in Hamburg. The first double track "Rope/The Beggar" alone clocks in at over seventy-eight minutes. And that's only one half of this unbelievable album. Admittedly it's not the first time that I smell the possible peak of all their qualities coming together, but come on: Can the rush of incomprehensible bliss get any greater?



  2. Not enough musical hypersomnia yet? Here's another fifty minutes mighty piece (in three movements) by the two adventurous Dutch duos Solar Temple and Dead Neanderthals, recorded live at Roadburn 2022. Hypnotically repetitive, yet rich and colourful in detail this "light-flooded cathartic flight beyond the constraints of time" unveils a "skyscraping wall made of Psychedelic Sludge, clerical chants, Post Metal and Blackgaze".




  3. However ginormous the two above may feel; if you want me to guess which album here I will probably listen to the most in the long run, my bet is definitely on Tori in the thirty-fifth year of her career. "Pandora's Aquarium", "Spring Haze", "Lady In Blue", "Mother Revolution"... Not only does she serve an irresistable selection of sixteen hits and hidden gems on this two and a half hour strong double album, but she also does it in fantastic, extravagantly long piano/bass/drums trio versions.




  4. If we're talking historic relevance the winner of this list has to be the first complete official release of Alice Coltrane's legendary Carnegie Hall performance in 1971. In its first half she looks into the future, playing harp on pieces inspired by Indian spirituality. The second half with her on piano honours the legacy of her late husband John Coltrane. It's absolutely magical, and if there had been enough microphones to actually record all instruments on stage properly, I might have ranked this even higher.




  5. From the immortal Spiritual Jazz pioneer of the past to the exciting present of Avantgarde Free Jazz: Zaäar expressively improve a timeless stream of mystical tribalistic trance, including santur, zurna, zither, flutes, electronic sounds, throat singing and animal noises. All this is captured inside the unique atmosphere of a natural cave. "What a hammering meditation! What a monstrosity of freedom! What a wildfire of inspiration!" And everywhere Alice Turiyasangitananda's presence can still be felt like a tangible resonance. A magical trip into Neptunian Jazzimalism!





  6. No, we're not done yet! There's even more Coltrane worship ahead! Obviously, since "Afro Blue" is a Jazz standard made hugely popular by John's quartet. Here we can experience it in a stunning twenty minutes version by the trio of Mats Gustafsson (sax), Sten Sandell (piano) and Raymond Strid (drums), recorded live in Stockholm in 1998. And beyond that Gush give us fifty more minutes of sensational improvisations between abstract minimalism and hymnic Spiritual Jazz grandeur. The great production makes you feel like you're witnessing this mastery an arm's length away from the first row.  





  7. Six albums in (three of them released this year!) the live series of Krautrock legends Can just keeps giving. From a not too revered period of the band, this almost unadvertised show in the quintet line-up with Traffic bassist Rosko Dee and Holger Czukay operating wave sounds and samples instead, proves to be a true revelation. Incredibly funky, complex and rich these improvisations showcase a band of musicians knowing each other inside out - and then also adds that certain unexplainable magical it of the right constellation of space and time on top.





favorite MUSIC 2024 - all my lists:

TOP 24 albums   |   TOP 7 live albums   |   TOP 5 reissues






2024-02-11

GUSH - Afro Blue

You're a musician and unsure whether you can call yourself prolific?

Well, if one of your projects is a thirty-six years old trio, which can unearth a twenty-five year old DAT tape of a live recording you've almost forgotten about and it's a Coltrane worshipping masterpiece - then you probably are rather prolific.

Enter Mats Gustafsson, Sten Sandel and Raymond Strid!


GUSH - Afro Blue (CD) (2024)

Mentioning John Coltrane above is probably me being Captain Obvious, since "Afro Blue", a Jazz standard by Mongo Santamaria, has famously been popularized by his quartet. But before the saxophone/piano/drums trio even gets to the rendition of this classic, there are already three quarters of an hour of improvised music "Behind The Chords", coming in two giant packages.

Given how round and full the sound of the recording is you can easily forget the quite unusual factor that the band doesn't even have a bass player, which is mostly substituted by Sandell's piano performance, but in part also by Gustafsson, even though he's on soprano and tenor sax here and doesn't even serve those lower pitches. But the fullness of their interplay makes the sound more than complete.

Except when it's not supposed to be complete. Because at times Gush can be very abstract, loose, percussive and minimal, which makes the return to full Spiritual Jazz glory all the more grand.

The twenty-minutes take on "Afro Blue" applies the same characteristics, commandingly introducing the iconic theme, before receding and swelling on their own paths, before victoriously returning to the eve. What else is there to be said: If a band succesfully injects an immortal tune like this with their own identity and the sound is as perfect as here, what's there not to love?

The show ends surprisingly compact and very quiet with a two-minute improvisation "After The Chords". Just a little dose of almost Ambient Jazz to come back down after the spectacle before.

What a wonderful live album, all almost seventy minutes of it!