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Posts mit dem Label The Spark werden angezeigt. Alle Posts anzeigen
Posts mit dem Label The Spark werden angezeigt. Alle Posts anzeigen

2026-04-25

ROADBURN FESTIVAL 2026 • THE SPARK: Wednesday, April 15th

- The Bad Bird Catches The Spark -


feat. BAD BREEDING, CRIPPLING ALCOHOLISM and THE BIRD EXPERIENCE


Yes, after that detour with Maud the Moth and Aidan Baker it's finally time to report what happened in the middle of April in Tilburg, South Netherlands!

There's nothing noteworthy to tell about my relatively smoothly car ride from Northern Germany and I don't feel like starting with an essay about the whole meaning of Roadburn Festival within the bigger picture of life, so there are just two little pieces of business before getting to the important stuff:

1. If you're new here and wonder about the weird low-fi visual style of this blog: Most of my Roadburn photos were taken with a Digital Harinezumi 2.0 toy camera (all horizontal or upright rectangular pics) or my not-the-best-at-this smartphone (all square pics).

2. Check-in at my rural accommodations, waiting for my roommate to arrive and saying hello to a couple of the many cats there: 


Done. And now let's go straight to the absolutely packed Next Stage in the 013, where the proceedings started with the free warm-up night called The Spark!







Not only the room was filled to the brim, but the stage itself never had been as crowded on a Roadburn Wednesday as well. The Bird Experience, a group headed by Heath singer and insane harmonica (plus pedalboard) wizard Mees Vullings, came as a big band version of twelve muscians. Half of those I couldn't even see most of the time, because the whole brass section and the bass player were hidden behind the Hammond organ from my point of view, while the frontman was blocking  the percussion player and gospel background singers.

But at least I could hear everything. After the band entered the stage with masks, which they hung onto a clothes tree, and played an intro track, which felt like an occult incantation, the crowd's reaction was very reserved, because it was alright, but you just didn't know where this was leading yet.

The following answer to that question was a wild exploration of 60's and 70's Psychedelic and Prog Rock and Blues, whose inspirations surely cut deeper than that, but in the moment felt like the voodoo lovechild of Arthur Brown, The Doors and Santana to me. With so many layers of organ, keys, rhythm, guitar, brass, vocals and that damn crazy harmonica The Bird Experience felt like a primal conjuration of Rock'n'Roll spirits for the days ahead. Well done, you soulful, wild dark eyeliner hippies!









Of course I knew the band by name. How couldn't I? If you've ever heard that there's a group with the name Crippling Alcoholism that's very likely to stick.

Visually they're mostly a blur, because that cozy socks/ open house slippers combo of the tourist guy energy frontman kind of overshadowed everything else. Musically the sextet brought a mix of sometimes Hardcore/Sludge heavy, sometimes wearing-sunglasses-in-the-dark danceable, but always melancholic Post Punk, which - also attitude-wise - very much felt like the Goth version of Chat Pile.

Cool. Repeat in Jake Peralta voice: Coolcoolcoolcool.









Cranking up the crass the night finally exploded with the raw and dirty Crust Punk energy of Bad Breeding, who exceeded in bringing the anarcho spirit of good old English Punk into the here and now. Wild shit and a severe case of Fuckyeah.

And so ended a good warm-up, which I would rate somewhere in the middle of all Sparks (and Hardrock Hideouts in the Cul de Sac bar before that) I've witnessed so far. Even though I liked all three bands, there have been editions which stood out a lot more with their own vibe distinct from the rest of the festival, especially given that both Bad Breeding and Crippling Alcoholism would be playing official and secret shows later on, starting not even twenty-five hours from now.

So The Bird Experience had been the only really exclusive element of The Spark, and I wonder if that was an odd deliberate choice or if it was some kind of compromise, because other plans didn't work out.

However the fire had definitely started and I couldn't wait to see it burning through the road during the four exciting days to come!




reviews of the other festival days:

ROADBURN FESTIVAL 2026 • DAY ONE: Thursday, April 16th

- The Spiritual Sound of Hypnotic Eternity -

ROADBURN FESTIVAL 2026 • DAY TWO: Friday, April 17th

- Psych, Sax and Violence! -

ROADBURN FESTIVAL 2026 • DAY THREE: Saturday, April 18th

- I Drifted On Alpine Oceans
With The Taste Of The Moon On My Tongue -







2025-04-22

ROADBURN FESTIVAL 2025 • THE SPARK: Wednesday, April 16th

- Rodents in thy Holy Place -


feat. RATTENBURCHT, TEMPLE FANG and THOU 


Seriously, dude? Wednesday morning, only a few minutes after the start of my annual pilgrimage to the south of the Netherlands, I suddenly had a car which was antisocially overtaking from the next village, first close in front, then luckily next to me. Since I just wanted to fill up anyway I had a moment to come down from the shock of the near-crash and approached the rest of the trip pretty relaxed. After all, the day - the whole weekend - could only get better from now on.

Fast forward to the evening - I had already checked in at a familiar place from previous visits comfortable fifteen minutes from my regular parking zone - I was alive and well and ready to lit The Spark, the entry-free pre-show on tzhe samller Next Stage of the 013 venue before four full days of breathtaking musical exploration of the kind only the Roadburn Festival provides.

If you're new to my Roadburn coverage and hopefully intend to also read the naturally much longer write-ups which will follow in the coming weeks, this is what you'll get: Proper reviews of all shows I watched long enough to confidently form an opinion, hopefully not too much useless banter before and in between, a couple of phone shots (probably most of the square title pictures), a lot of quirky live photography with my Digital Harinezumi 2.0 toy camera, and to give you a glimpse of the festival's ridiculous abundance of great options the occasional category CLASHBURN.

Even on this day zero one could actually open that box, since there already was a "raw, edgy" Jazz night in a café as part as the growing Offroad side programme in locations all over the city, which was also accessible without a ticket. However I kept it simple and just stayed for the traditional three performances on site.





Speaking of traditions: Temple Fang have become Spark regulars, already playing their third show (one time they saved the day on short notice after another band's cancellation) on the pre-opening night. Besides that I have also seen them play a Saturday Roadburn show, lead their own festival in Nijmegen and be the highlight of last year's Lazy Bones Festival in Hamburg. So I'm of course sick and tired of their long-form proggy Psychedelic Hard Rock, right?

Ha, no way! This quartet is just too freaking amazing, Their tasteful musicianship, the dynamic interplay between epic guitars and restless drumming, the long buildups and surprising transitions... it all adds together to a huge live experience so perfectly. Having Temple Fang start the proceedings with music from their new album "Lifted From The Winds" couldn't have been a better decision for me.

Definitely a better decision than me pre-ordering the album (it hasn't arrived yet), when I also could have bought it right here at the merch table.









A certainly brave choice was to followup  this level of high-class musical storytelling with one of the most primitive things I've ever seen at Roadburn.

There isn't really much to say about the Dutch trio Rattenburcht beyond Black Metal appearantly being not primal enough for them, so they just play it with intentionally hamfisted tools of Crust Punk. Maybe there was a hint of venomous Metal in there too, but one thing is for sure: Everything kind of sounded the same - and the band absolutely wants it that way.

The overall dose was almost too much for the shtick and only barely didn't overstay its welcome. The recognizable DIY look added to the Blackened Punk charme. The bassist, whose hilarious shrill shrieks are a main characteristic feature of Rattenburcht, gave the stage crew a little bit extra to tidy up, when she threw down herself and a candelabra with unlit candles. Was it just a fun exit (probably) or was she angry, because they weren't allowed to lit them for safety reasons?

[Please keep this rather insignificant question in mind until my review of day four, when I will return to the subject in a neat little full circle!] 









Given how much Thou from Louisana have become an almost integral part of Roadburn and the source of memes and running gags with countless regular, collaborative and most famously secret shows, it's pretty remarkable, that this was only my first longer encounter with this collective after their show with Emma Ruth Rundle in 2019. It just very rarely happens that my plan allows a spontanous diversion for one of the many secret shows, which in this year would all take place in the Ladybird Skatepark.

It's a shame, because damn, Thou actually are a very impressive force of satisfyingly gnarly Sludge Metal with nice layers of beauty hidden in the oppressive weight of their massive guitar riffs. Their sound was monstrous. The show levelled the place - which was of course packed, including many familiar faces of the Roadburn first row club  - and left the crowd happy with properly stretched and warmed up ears for the Redefining Heaviness extravaganza marathon laying ahead.




reviews of the other festival days:

ROADBURN FESTIVAL 2025 • DAY ONE: Thursday, April 17th

- Isn't it funny how the Body Machine burns? -

ROADBURN FESTIVAL 2025 • DAY TWO: Friday, April 18th

- Please stay close to me now
Weave the orb, Spin the dress
Don't you ever leave
me undead undead anymore -

ROADBURN FESTIVAL 2025 • DAY FOUR: Sunday, April 20th

- Diabolical Spite & Divine Healing -