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2025-12-23

MUSIC 2025 : TOP 25 live shows


There's never enough live music, and there never will be. But that being said I'm really happy with the amount of great shows I got to experience this year.

Of course there are still nights I regret having missed, like the not so well attended, but appearantly extra long and amazing club show of Arthur Brown in Hamburg or all the tours which just didn't came close enough to Northern Germany at all.

On the other hand some artists that had made the ranking in the past sadly couldn't meet my expectations, like Kamasi Washington or even Cynic.

Other shows many fans would probably expect in a list like this, were great, but just didn't make it up in the top, like Blood Incantation, Igorrr, Wormrot, Tangerine Dream, Lucifer, Macabre, Kanaan & ÆvestadenChat Pile, Wyatt E.Ni, Wooden Elephant performing Björk and many more.
Thisquietarmy x Otay:onii even actually were club show number twelve for a brief moment, but then I decided to make it only a TOP 11 list in favour of having a longer TOP 14 of festival shows. And right there I admittedly downgraded Michael Gira, because I didn't want to reward his bully behaviour towards Kristof Hahn at their Roadburn show, even though it undoubtly was contributing to the special intensity of that performance...

You see: Ranking is harte Maloche. So after litres of sweat and blood here's the result:


TOP 11 CLUB/SOLO SHOWS 2025:



  1. This came as a surprise.  I had seen the Industrial metal legends in Wacken - where they had also been just one night before this show - a couple of times, lastly nine years ago, and I knew their performance would be great.
    But just what a fucking blast it would be to witness Al Jourgensen and co. celebrating classic after classic plus even songs from the Synth Pop debut "With Sympathy" in the more intimate club setting - no, I can't say I was fully prepared for that. I already knew right then and there that Ministry were playing my favorite show of the year - and as you can see my opinion hasn't changed.

  2. THE KILIMANJARO DARKJAZZ ENSEMBLE / THE MOUNT FUJI DOOMJAZZ CORPORATION - Lido, Berlin

    The members of the Dutch Doomjazz group with the two aliases obviouly didn't know how much their return after twelve years of hiatus meant to some  fans, who travelled to Berlin from as far as the other side of the globe. And it was heartwarming to see them enjoy the well-deserved waves of applause after a double-show of amazing Slow Motion Jazz / Ambient / Doom / Dub / Post Rock / Folk / Contemporary Classical beauty.

  3. SUNN O))) - Uebel & Gefährlich, Hamburg

    Six Ampeg amps, twelve Model T's, a wall of speakers and two guitars. Enough to physically destroy me to a degree not even previous Sunn O))) or Swans shows had been capable of. My head and hearing needed days to recover.
    Yet still the Drone Metal masters delivered a musically remarkably rich and transcendently meditative experience, which made me float from the birth of the universe to the core of  Earth and back.

  4. NEPTUNIAN MAXIMALISM "La Sacre Du Soleil Invaincu" - MS Stubnitz, Hamburg

    It was the already the second time I attended a full performance of Neptunian Maximalism's Blackened Drone Doom Raga monolith "La Sacre Du Soleil Invaincu". And with an interpretation emphasizing the Black Metal elements and an unbelievably mighty and pristine sound, which allowed you to dive into every single sonic detail, the show on Hamburg's finest ship was even more perfect than their 2024 Roaddburn Festival performance.

  5. CLIPPING. - Hafenklang, Hamburg

    For some reason Hamburg's Hafenklang venue has established itself as Clipping.'s home away from home outside of America. So once again the Experimental Hip Hop trio (plus premium stage guest Counterfeit Madison) burned the place down to the ground with a sudatory electrifying performance. 

  6. DOOL - Logo, Hamburg

    Whenever I see Dool live, the Dutch Dark Rock quintet will safely end up in these lists later; I guess that's an established natural law by now. Their last show in Hamburg hadn't been that long ago and this was  already the third time I saw them with a relatively similar setlist in support of "The Shape of Fluidity". So this should get at least a little bit boring, right? No, not at all! One of the best live bands around for ten years now!

  7. SEVEN IMPALE - Logo, Hamburg

    A dream come true! I've been wishing to see the Norwegian Prog/Jazz Metal Fusion sextet Seven Impale for ten years and even lost all hope during their seven years long hiatus. And now they finally played a mini tour of only two shows in Germany. And even though the Logo wasn't exactly sold out, this night was everything I wanted it to be. Fantastic!

  8. TEMPLE FANG - MarX, Hamburg

    Benefitting from the fact that the Dutch are Roadburn regulars I had already enjoyed six shows of the fantastic Psychedelic Prog Rockers Temple Fang before. This time however was extra special - not only because of the strength of the "Lifted From the Wind" material, but because it finally was a headlining show without the time restraints of a festival. That meant almost two hours of epic Rock'n'Roll bliss.

  9. KOENJI HYAKKEI - MS Stubnitz, Hamburg

    At least in my mind my mouth is still permanently wide open in amazed disbelieve since I witnessed Japanese Zeuhl  masters Koenji Hyakkei. No matter if you take the escalating Free Jazz drumming, the insanely fast and complicated vocal/saxophone unisono runs or outbreaks of metallic heaviness - very few performances this years came even remotely close to the joy of playing, the breathtaking virtuosity and the utter musical madness of these Magma worshippers.

  10. MONO - Knust, Hamburg

    After decades of chair glue for their guitar players Mono are now standing on stage! Well, except for the drummer of course. Apart from that change the Japanese Instrumental Post Rock quartet still presented itself as a class of its own. Between heavenly elation and earthshaking force the sonic and emotional dynamics unleashed by their live performances are an experience I cannot imagine ever growing tired of or not being deeply touched by.

  11. HEDVIG MOLLESTAD TRIO - Hafenklang, Hamburg

    Here come the Norwegian ladies in glitter dresses and their less fashion-conscious drummer! They brought a marathon Jazz Rock Metal Fusion show, which included the whole "Bees In The Bonnet" album and ended with the band leader lying on the ground amidst the crowd - before leaving with Led Zeppelin's "Rock'n'Roll" as the ultimate statement what the band is all about. After two amazing Roadburn shows this night confirmed that when the Hedvig Mollestad Trio comes to town, fullest dedication, blown minds and a shitload of fun are guaranteed.








TOP 14 FESTIVAL SHOWS 2025:



  1. In all its abstract nonconformist weirdness and pummeling heaviness Sumac's "The Healer" still is one of my favorite albums of 2024. And boy, did the full live performance of this Avantgarde Metal coloss live up to it! Right then and there I already felt that it had to be my unrivaled favorite performance of the festival. Present day me doesn't object.

  2. AUTOPSY - Stonehenge Festival, Steenwijk

    Strictly speaking the gory Death Metal legends' setlist was way too similar to their last oldschool-heavy Stonehenge appearance. Yet fuck it, because even with this sole critique it still was fucking Autopsy, man! And there's just noone like them. Bloody banger!

  3. ANGLES "The Death Of Kalypso" - Roadburn Festival, Tilburg

    The Paradox stage was as crammed as the rest of the room, when the octet Angles performed "The Death of Kalypso", their amazing self-proclaimed Jazz Opera in five acts. They alternated between different varieties of Vocal Jazz, minimalism, Classical interludes, Free Jazz freak-outs, Shirley Bassey grandeur and all kinds of displays of virtuosity earning spontanous scene applause. A truly special show.

  4. OTAY:ONII "True Faith Ain't Blind" - Roadburn Festival, Tilburg

    Few artists are as exceptionally expressive and mesmerizing as singer Lane Shi Otay:onii. The Roadburn team knows that too and invited her for a triennium residence, which means she plays special shows in three consecutive years. The first of those saw her only with a grand piano, playing last year's album "True Faith Ain't Blind". A profoundly touching performance to make Diamanda Galas proud!

  5. ZOMBIE ZOMBIE - Roadburn Festival, Tilburg

    Trippy trippy funky funky cosmic cosmic Kraut Kraut Disco Disco party party! Seeing the French two drummers plus electronics and saxophone trio Zombie Zombie was one of those Roadburn decisions I'm still giving myself pats on the back for.

  6. WITCH CLUB SATAN - Roadburn Festival, Tilburg

    Extremely raw Black Metal and myrkurish atmospheric breaks. Theatrical antics and honest rage. Impressive crochet work and spooky nudity. Technical issues leading to a moment, which made this show of the Norwegian feminist trio Witch Club Satan even more special.
    Finally a huge splash of blood spat right onto my face. That certainly was a memorable way to start into Saturday. I was there for it.

  7. DISHARMONIC ORCHESTRA - Stonehenge Festival, Steenwijk

    This year's Stonehenge Festival offered various moments of Death Metal nostalgia with bands I hadn't seen live for up to over three decades. The most anticipated and most rewarding of those shows was performed by the still to this day unique Avantgarde Death trio Disharmonic Orchestra from Austria. If only this could have been a bit longer...

  8. MESSA "The Spin" - Roadburn Festival, Tilburg

    Ouch, my heart is bursting! Why is Messa's mix of Doom, Hard Rock, Prog, Folk, Post Punk, Extreme Metal etc. so damn wonderful? Playing their recent album "The Spin" could only be a win. Guitar and muted trumpet duelling in the Jazz lounge during "The Dress" was one of the most memorable live moments of the year. 

  9. INSECT ARK - Roadburn Festival, Tilburg

    Dana Schechter sings now. and appearantly it was exactly what the beauriful Drone Doom of her former solo project / then duo / now live trio Insect Ark needed. This was a show where performance, sound, atmosphere and personality came together under the perfect constellation of stars. You could feel it.

  10. GREEN MILK FROM THE PLANET ORANGE - Esbjerg Fuzztival

    Esbjerg Fuzztival in Denmark had a strong line-up with several electrifying shows only just missing a spot on this list. And even though the Japanese trio was sitting down most of the time, the sheer unhinged madness of their melange of Kraut, Punk, Avantgarde, Prog, emotional intensity and Psych'n'Roll made Green Milk From The Planet Orange the winner.

  11. EX-EASTER ISLAND HEAD - Roadburn Festival, Tilburg

    Atmospheric, Ambient, droning, minimalist, electronic, percussive, maximalist, post-rocking, abstract, trippy, jazzy, funny, funky, danceable... It would probably be harder to find anything the show of Ex-Easter Island was not than all the variety it had to offer. Performed on an incredibly experimental multi-instrumental set-up this quartet's show was unlike any other thing I've ever seen. 

  12. MOEWN - Pink Tank Open Air, Osterrönfeld

    In the grand scheme of things Moewn are just a short-lived and disbanded, relatively obscure German instrumental Post Rock band with a discography of two and a half (since one was a split release) good albums. But that's just what's on paper, because what a heavenly escapist treat was it to witness their one-off reunion show in celebration of the tenth anniversary of their debut!

  13. MISHA PANFILOV SEPTET - Überjazz Festival, Kampnagel, Hamburg

    The prolific Estnian Misha Panfilow came with electric and lap steel guitar and a whole Septet of musicians including a brass section of saxophones and flute to celeberate a relaxing, humorous and hypnotic performance of Spiritual Psychedelic Jazz mixed with Library Music and traces of Kraut Rock. This wasn't even the conceptually or musically most exciting act at Überjazz Festival, but the vibe, man! The vibe was just so... *chefskiss*

  14. SANCTUARIUM - Morbid Catacombs Fest, Neue Zukunft, Berlin

    There are few things in Metal greater than when a Death Metal show widely opens the gates to a foul netherworld and the poisonous mist from that abyssal dimension really creeps into every cell of your being. At Morbid Catacombs Fest the rotten Doom Death of the Spaniards Sanctuarium unlocked this immersive, wonderfully abhorrent sick atmosphere and no shower has been able to clean all of the putrescine stench off me since.




favorite MUSIC 2025 - all my lists:


2025-05-03

ROADBURN FESTIVAL 2025 • DAY TWO: Friday, April 18th

- Please stay close to me now
Weave the orb, Spin the dress
Don't you ever leave
me undead undead anymore -


feat. ANGLES, DIS FIG, MESSA, MIDWIFE & VYVA MELINKOLYA, THE HIRS COLLECTIVE, UNDER THE REEFS ORCHESTRA and ZOMBIE ZOMBIE


CLASHBURN:

Well, it's actually a bit of a stretch to label the beginning of Friday this way, since noone else was playing anywhere near The Engine Room. So the promising hour-long commissioned collaboration of the two Dutch bands Throwing Bricks and Oontard basically was a no-brainer - yet still I missed all of it for annoying reasons completely unrelated to the festival. I've already told enough people the whole nothingburger of a story, so let's just summerize it this way:
Imagined cellphone screen issues and almost being scammed in a repair shop made me totally waste two hours of the day. So the first show fell victim to clashing with me being an idiot.


Luckily this would remain the only major fuck-up in my personal festival running order. Yet at least this bullshit didn't cost me even more shows. I arrived in time to finish my purchase of next year's festival ticket (there had been an actual technical problem pausing the transaction the other day) and went to a much needed, quite soothing de-stressing therapy in The Terminal







My first visit to the bigger room of the Koepelhal was for the only show of Artist in Residence Midwife that wasn't clashing too hard with other interests to see it. Together with Angel Diaz aka Vyva Melinkolya Madeline Johnston dunked the hall in a misty haze of slow Alternative Dream Pop, as they started to sing about "Miss America".

Live-scoring video footage that felt like an almost surreal documentary of a magical friendship the minimalist Shoegaze duo performed their whole 2023 album "Orbweaving". It was a thing of pure untethered beauty. It definitely calmed me down, and I was not going to leave this comfortable sate of abeyance at least for one more show... 









Do Messa, who I last saw at the Lazy Bones Festival in October, ever dissappoint? Presenting their brilliant new album "The Spin" in full, the boundless Italian Doom Metal quartet surely wasn't about to do so on the Main Stage this afternoon.
Since my pre-ordered copy is delayed I'm only listening to it for the second time right now as I'm typing this and their performance vividly replays before my inner eye and ear.

Centered around the charisma of singer Sara's angelic voice, you could witness their mix of classic Doom Metal and Lucifer Hard Rock with all kinds of influences from Folk over Post Rock to Extreme Metal spin towards the 1980's with forays into Post Punk / Gothic and even piano ballad vibes. For the latter they brought a guest musician, who also provided the muted trumpet for one of the show's greatest moments, when he was dueling with the guitar in a Jazz freakout during the phenomenal song "The Dress".

It was amazing. So if you were only to watch one show on the biggest stage the whole day... well, you know what I did. Seriously, how can one not love this band? 









The wild opposites you can throw yourself into on a typical eclectic Roadburn day! Sometimes they can backfire, when you've just immersed yourself into one particular mood and just aren't ready to abandon it yet. I've experienced this phenomon several times over the years. Seeing The HIRS Collective (a slightly misleading name, since only the two core members on vocals and guitar were actually on stage) however didn't fall into this category at all for me in this moment.

No, their hilariously absurd mixture of Hardcore, Punk, Electronic and Grindcore blasts, suddenly intertwinded with queer culture relevant Pop and Disco hits, which could instantly transform the moshpit into a dancepit, was just an intensly fun adrenaline shock of pure entertainment.

I wouldn't sit down at home, lit a candle and listen to this stuff in a quiet hour at home, but boy, live this brilliant nonsense with genuine sociopolitical messages just kills! Everybody dance (and smash homophobic bullshit) now! 








After a break for some great local fries (recommendation: if you have to take medicine during your meal, make sure you have a glass of water instead a can of cola at hand! *burp*) it was time for my daily Hall of Fame show with the Chinese-American, Berlin-based artist Felicia Chen aka Dis Fig. who presented a mixture of Electronic Avantgarde, Drone and Noise, which also included Folk influences or a track with her playing accordion. If you're thinking Otay:onii now, that's fair, because the similarities are obviously there. Her sound and vocals however should easily be different enough not to mix both artists up.

Compared to her collaborative Main Stage show with The Body this performance was by far not as harrowingly mangling for ehm... the body, even though the nostril vibrations occasionally celebrated a reprise. Musically I actually found this more intimate show to be more versatile and captivating. It also helped that for the special occasion of Roadburn she didn't perform all on her own, but brought a drummer, who added a quite brilliant amount of minimal playing to several of her tracks.

While I liked this a lot I was still considering leaving before the end to head over for a good spot in The Terminal, when she suddenly stormed towards me and - even though I backed away with my head - screamed directly into my face from a very close distance. Woah! Did you just read my mind? Of course I stayed until the end now, because otherwise it would have looked as if I'd run away from her like a frightened b***.









Luckily I still managed to start the next show in the second row and even work my way forwards later. And Zombie Zombie's performance was something to behold!

The setup immediately threw me back to Ex-Easter Island Head the other day - and there would be some related vibes. Two drummers with additional electronic toys were facing each other left and right sideways to the audience, while a familiar face in a red jumpsuit and glasses operated keys, modular synths and saxophone in the center of the stage. The fond memory of Etienne Haumet's joint show with Slift in 2022 had actually tipped the scales for me towards being here.

The French Kraftwerkians rewarded that choice with a funk-tastic space ride of trippy, humourous Kraut Disco goodness of outrageous float- and danceability. Addictive rhythms, bold cosmic sounds and deep vocoder vocals, which never failed as a gag during the announcements between the songs. Just like a farting bag... if used right it never gets old.

Yeah, this whole show was so much fun, yet also so creative and musically satisfying. Zombie Zombie bravo bravo! 



CLASHBURN:

Yesterday I had already heard about Big|Brave - whose regular show was on Sunday - playing a secret show in the Ladybird Skatepark at seven, but the source of my information was one hour off, which meant it was happening right now and theoretically made it possible to cram in at least a part of it into my schedule. Ultimately however I was happy that I decided against trying that, because even for a band I love so dearly it would have been a shame to cut Zombie Zombie short and lose one of the best seats in the house for the absolute personal must-see next on my plan:






With a setup of (from left to right) grand piano and other keys, cello, upright bass, vocals, drums, tenor saxophone, trombone and finally vibraphone and soprano saxophone Angles really tested the capacity of the Paradox' stage. And it was good that the Swedish ensemble around Martin Küchen did so, because all the variety this instrumentation could provide was needed to bring the hour-long album "The Death Of Kalypso" to life.

Emotionally centered around Elle-Kari Sander, whose raw yet delicate, expressive Jazz vocals stood out as incomparable to any other singer of even this so versatile festival, the band moved from Contemporary Classical interludes to virtuosic brass solos, from minimalist silence to Free Jazz crescendos and Shirley Bassey / James Bond grandeur. It's impossible to cover all the manifold facets of this captivating dramatical "Jazz Opera" suite in five acts, but without any doubt the audience followed every turn of the musical narration with awe and several instances of spontanous scene applause.

I had hoped that this would be very special since hearing the music on Bandcamp just a few weeks before Roadburn - and my expectations were indeed met with one of the greatest performances of the whole festival. Splendid and sublime!

Other than the artists on all other official Roadburn stages the bands playing here were responsible for selling their merch themselves after their shows. And Angles sold everything, leaving a completely empty table, with me grabbing the very last CD copy of the album. Sorry, two or three folks behind me... I missed out on a couple of merch items during this weekend too, if that helps.



CLASHBURN:

Besides  not being able to see Envy, The Body and Cave In on the Main Stage the most hurtful thing to miss so far had probably been Steve von Till's Harvestman. But as so often the late night was now really clustered with impossible choices. My strongest immediate consideration was the Offroad show of Fellatio in the relatively close LOC Brewery, followed by the Gnod Drop Out With White Hills, while getting in line for a Chat Pile secret show this late would be unrealistic anyway. After those the options to close the night included Thou on the Main Stage and an eighty-minute Psychedelic Drone excess with Smote.

Yet since I saw no chance of making it to one of the Jazz club performances tomorrow and the venue wouldn't be part of the festival on Sunday, I rather made the commitment to just take a little break now and stay right here inside the Paradox.
 






After The HIRS Collective this was already the second band with a misleading name today! Especially since the stage had been so crammed an hour ago it was kind of ironic that Under The Reefs Orchestra were only three dudes on guitar, drums and not bass, but bass saxophone.

But what an arsenal of Prog, Heavy Jazzrock, funky Fusion, floating Post Rock, Blues, Pink Panther spy movie vibes and whatever you can imagine between these poles this Belgian trio would unleash!

It was yet another show of phenomenal musical wizardry, creativity and also just sheer coolness. Even though the drummer skillfully grooved in and outside of the pocket and the guitarist never failed to impress, I especially loved the saxophone switching between the roles of a bowed or plucked contrabass, a harder electric bass and of course its smooth or roaring actual saxophony self.

At the risk of sounding ridiculous, even though I swear it's nothing but the truth: It was the seventh (out of seven) flawless show of the day. What more do you need? - Well, I need to go back in time and start an hour earlier, duh! But seriously - ending Friday on such a high note I couldn't wait to throw myself into two more days of this blissful madness!




reviews of the other festival days:

ROADBURN FESTIVAL 2025 • THE SPARK: Wednesday, April 16th

- Rodents in thy Holy Place -

ROADBURN FESTIVAL 2025 • DAY ONE: Thursday, April 17th

- Isn't it funny how the Body Machine burns? -

ROADBURN FESTIVAL 2025 • DAY FOUR: Sunday, April 20th

- Diabolical Spite & Divine Healing -